Um Barzinho, Um Violão: ao Vivo

"Estratosférica ao Vivo" is not just the record of a Gal Costa show. It is the portrait of the artist reaching the 70 years of life, 50 of them dedicated to music. The show "Estratosférica" ​​crowns the new artistic phase of Gal, more and more interested in connecting several tips of the history of the music of Brazil, joining the composers of its generation to names of the new national scene. The script, created by Marcus Black, was very good at this idea. Sewing songs by Caetano Veloso, Tom Zé, Luiz Melodia, Jards Macalé and Waly Salomão, Carlos Pinto and Torquato Neto, Roberto and Erasmo Carlos - a series of tropicalist and post-tropicalist works that until now serve as reference and feed the new generations of music.

Vanessa da Mata presents her newest project "Caixinha de Música". Recorded at the Teatro Natura in São Pualo, the project is the second DVD of her career and brings a new musical concept for the singer, in which she brings interference from electronic music incorporating the organic sound of a trio of musicians.

The show brings successes of his career, songs from the new CD and unpublished songs in his voice. In the script, songs from the new album as 'Casablanca' and 'Barulho' (both by. which inspired the album's title.

The program brings a career resume of the Samba's master Paulinho da Viola playing classics of MPB like "Sinal Fechado"(Closed Signal), "Nervos de Aço" (Nerves of Steel), "Pecado Capital", "Foi um rio que passou em minha vida" (It was a river that passed in My Life), "Cantando para não chorar" (Singing for not cry) and many others.

Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.

Celebrating 50 years of her career, Maria Bethânia filmed in Brazil in 2105 the show Abraçar e Agradecer, which now comes out on CD and DVD.

In this 23-minute documentary interview clips from the album's entire recording lineup — Brian Johnson, Angus Young, Malcolm Young, Cliff Williams and Phil Rudd — collectively recall the crossroads the band was at following the tragic death of Bon Scott in February of 1980. Brian Johnson was officially named the new singer of AC/DC on April 1, 1980 and the group quickly got to work with returning producer Mutt Lange, who was at the helm of the group's previous record, Highway to Hell. Ultimately, Back in Black was a tribute to AC/DC's late singer, with the black album cover serving as a memorial.

Interview without filters, Paul Arcand questions the 76-year-old performer on the sidelines of the release of her autobiography "Ginette" and her most recent album, "C'est tout moi".

SET 1: Everything's Right, Back on the Train, Wolfman's Brother, Maze, Leaves, Life Saving Gun, Dirt, Carini SET 2: Sand > Tweezer -> My Friend, My Friend > Mike's Song > Lifeboy, Weekapaug Groove, Blaze On > Fluffhead ENCORE: Farmhouse[1], Run Like an Antelope [1] Began and ended with Trey on acoustic guitar.