The Family

In this brand new episode, master illusionist and showman Derren Brown plans to pull off the perfect crime. He’s bet renowned art collector Ivan Massow that he can steal a painting from right under his nose. In true Derren style, he will tell Ivan exactly which painting he plans to target – a work by Turner-nominated British brothers Jake and Dinos Chapman no less – as well as what time the theft will happen. He’ll even give him a photograph of the person that’s going to take it.

Reveals a revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaves fresh archival footage, personal photographs, memorabilia, and personal accounts from activists all around Australia to show how a daring and diverse group of women joined forces to defy the status quo, demand equality, and create profound social change. These women defined one of the greatest social movements of the 20th century, sometimes at great personal cost.

In the 1980s and 1990s a wave of murders bloodied the idyllic coastline of Sydney’s eastern suburbs. The victims: young gay men. Disturbing gang assaults were being carried out on coastal cliffs around Sydney, and mysterious deaths officially recorded as "suicide", "disappearance" and "misadventure". Individual stories are woven together by first person interviews and detailed re-enactments, piecing together the facts of these unsolved cases, decades later.

A poignant all-Indigenous English and Cree-English collaborative documentary that breaks long-held silences imposed upon indigenous children who were interned at the notoriously violent St. Anne’s Residential School in Fort Albany First Nation, Ontario. Use of a homemade electric chair at St. Anne's and the incorporation of testimony about student-on-student abuse makes this documentary stand apart from other films about Canadian residential school experiences. This film will serve as an Indigenous historical document wholly authored by Indigenous bodies and voices, those of the Survivors themselves.

God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.

Following the behavioral problems and progressive confessions of her two children Marie and Pierre, a mother decides to file a complaint against her husband for incest and membership in a pedophile sect. The report proposes a chronology of the judicial investigation with the testimonies of Marie and her mother, but also of the representatives of justice involved in the investigation.

December the 31th, 2003. Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old and resolves herself to bring it to him in person, wherever he may be.

This short film offers a children's guide to anger management.

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

A docu-film about the events related to the murder of a Roman boy of Macedonian origins, Luca Varani, 23, which took place on the morning of 4 March 2016. Manuel Foffo, a 29-year-old university student, from a wealthy family, confesses to his father Valter the atrocious crime committed during a sex and drug-based party that lasted three days and three nights and which involved another boy named Marco Prato, thirty years old, homosexual and well known in the Roman environment of organized parties. Manuel and Marco, totally addicted to alcohol and cocaine, allegedly lured Luca Varani into Manuel's apartment on a pretext to then drug him, torture him and finally kill him cruelly with hammers and stabs. Manuel Foffo will plead guilty and will be sentenced to thirty years in prison with the abbreviated procedure, while Marco Prato, who will claim to be innocent and only subjected (for love) to Manuel's will, will commit suicide the day before the start of the trial.