Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
FBI - (Mar 12th)
Daredevil- Born Again - (Mar 12th)
Mythic Quest - (Mar 12th)
Berlin ER - (Mar 12th)
Love You to Death - (Mar 12th)
No Gamble No Future - (Mar 12th)
The Bold and the Beautiful - (Mar 11th)
Lets Make a Deal - (Mar 11th)
The Price Is Right - (Mar 11th)
The Young and the Restless - (Mar 11th)
The Martin Lewis Money Show - (Mar 11th)
GRAND SUMO Highlights - (Mar 11th)
Fixer to Fabulous - (Mar 12th)
Moonshiners - (Mar 12th)
FBI- Most Wanted - (Mar 11th)
Four in a Bed - (Mar 11th)
St. Denis Medical - (Mar 11th)
School Swap- UK to USA - (Mar 11th)
Night Court - (Mar 11th)
Deadline- White House - (Mar 11th)
Bad Company is basically the neo-noir version of Deep Cover, released three years earlier; both films star Laurence Fishburne (reminding us that his best work came before The Matrix) as an undercover agent who infiltrates a criminal organization on behalf of a federal agency , only to have the line between the two sides blur, if not downright disappear. The biggest difference between the two movies is that in Deep Cover the hero's inner conflict is what drives the plot, while Bad Company is all surface — which is exactly what a noir should be like. Former CIA agent Nelson Crowe (Fishburne) is hired by Vic Grimes (the ever-effective Frank Langella), who runs a company he calls "The Tool Shed." Grimes' firm employs people with intelligence backgrounds to sell their talents for extortion and corporate espionage to domestic and foreign corporations. Grimes's second-in-command, Margaret Wells (Ellen Barkin), begins working with Crowe and seduces him, luring him into a plot to assassinate Grimes so they can take over the company. During a secret meeting, it’s revealed that Crowe is a CIA mole, albeit against his will. Crowe was fired from the agency on suspicion of stealing a $50,000 bribe intended for an Iraqi colonel. Crowe's former boss, William 'Smitty' Smithfield (Michael Murphy), threatens him with jail for the missing bribe as leverage for Crowe to infiltrate the Tool Shed. The CIA intends to acquire the company and use it as a clandestine operations center with Smitty in charge. Meanwhile, Todd Stapp (Michael Beach), the fourth and as far as I can discern final member of the Shed, discovers Crowe's cover, but instead of going to Grimes with this information, he decides to help Smitty and Crowe take over the Shed. All of this makes exactly zero sense. Why would the CIA, for all intents and purposes a clandestine agency itself, want to take over another clandestine agency? According to Smitty, “we get our own private, self-sustaining special operations boutique at no cost to the taxpayer” — but after a little research I learn that the Director of the CIA is the only federal employee who gets to spend government money without having to save the receipts, so to speak; thus, I doubt he gives a flying f--- about “the taxpayer” (this also makes it rather suspicious that Smitty asks Crowe to sign a receipt for the $1 million intended to bribe a Supreme Court justice; turns out this is just a scriptwriter ploy to give Crowe something he can use against Smitty later). Stapp's motivation is also fuzzy. Crowe tells him that “the Agency wants the Tool Shed … Margaret and I will run it … I guess that makes you No. 3”, and while this is mathematically correct, it's not a very attractive proposition, considering that, with Grimes out of the picture, there will only be three people left in the Shed. Overall, this film directed by Damian Harris and written by Ross Thomas follows a very winding path to arrive at a very simple conclusion: no one is innocent and everyone gets got. This is actually a win/win situation, though — it’s the journey that matters and not the destination; that the destination is morally sound is an added bonus. Like I said, noir — and, indeed, Fishburne and Barkin's relationship is reminiscent of Fred MacMurray and Barbara Stanwyck's in Double Indemnity; like theirs, their passion seems more like a pretext, and it vanishes after Grimes's murder. When Crowe tells Margaret that she is “the girl of my dreams. Because if you’re not, then nothing we've ever done makes any sense, does it?,” she might reply, like Phillys to Walter Neff, that “I never loved you … I used you, just like you said. That's all you've ever meant to me. Until a minute ago, when I couldn't fire that second shot” — except that Margaret has no trouble whatsoever with the second shot.
Paul Morse is a good guy. When his friends throw him a wild bachelor party, he just wants to keep his conscience clean - which is why he's shocked when he wakes up in bed with a beautiful girl named Becky and can't remember the night before. Desperate to keep his fiancée, Karen, from finding out what may or may not be the truth, he tells her a teensy lie. Soon his lies are spiraling out of control and his life is a series of comical misunderstandings.
With his gangster boss on trial for murder, a mob thug known as "the Teacher" tells Annie Laird she must talk her fellow jurors into a not-guilty verdict, implying that he'll kill her son Oliver if she fails. She manages to do this, but, when it becomes clear that the mobsters might want to silence her for good, she sends Oliver abroad and tries to gather evidence of the plot against her, setting up a final showdown.
Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.
When two married business executives having an affair are blackmailed by a violent criminal, they are forced to turn the tables on him to save their families.
The police plan to capture a killer by using a double that looks exactly as one of his victims.
Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.
Upon learning that he has to come out of retirement to steal 50 cars in one night to save his brother Kip's life, former car thief Randall "Memphis" Raines enlists help from a few "boost happy" pals to accomplish a seemingly impossible feat. From countless car chases to relentless cops, the high-octane excitement builds as Randall swerves around more than a few roadblocks to keep Kip alive.
Assassin Robert Rath arrives at a funeral to kill a prominent mobster, only to witness a rival hired gun complete the job for him - with grisly results. Horrified by the murder of innocent bystanders, Rath decides to take one last job and then return to civilian life. But finding his way out of the world of contract killing grows ever more dangerous as Rath falls for his female target and becomes a marked man himself.
Alex Thomas was the man in charge of protecting the president but, when the time came to fulfill his duties, everything just went wrong. His conscience haunted by a bullet, and his devotion to his country stronger than ever, Alex teams with a seasoned reporter to navigate a treacherous web of lies, unlocking a dangerous conspiracy, and enter a deadly world in which skilled assassins and highly-trained ex-special ops lurk in every shadow.
In a dystopian future, Dredd, the most famous judge (a cop with instant field judiciary powers) is convicted for a crime he did not commit while his murderous counterpart escapes.
Agent Jack Ryan becomes acting Deputy Director of Intelligence for the CIA when Admiral Greer is diagnosed with cancer. When an American businessman, and friend of the president, is murdered on his yacht, Ryan starts discovering links between the man and drug dealers. As former CIA agent John Clark is sent to Colombia to kill drug cartel kingpins in retaliation, Ryan must fight through multiple cover-ups to figure out what happened and who's responsible.
