War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
A rainy night. A missing dead body. An adulterer husband. A damsel-in-distress lover. A no-nonsense cop. These are the elements that AMR Ramesh uses to set up Oru Melliya Kodu, a whodunit that manages to kick up a certain amount of intrigue and eeriness before unconvincingly pulling off a twist ending. Though the pre-release buzz around Oru Melliya Kodu has revolved around it being inspired by the Sunanda Pushkar murder case, the actual inspiration — which is sadly unacknowledged — is a Spanish film titled El Cupero (The Body). Maaya (Manisha Koirala, looking too old and tired), an ultra-rich biotech entrepreneur, has been found dead, but before a post mortem can be performed, the body goes missing from the morgue. In the middle of the night. In pouring rains. Meanwhile, oblivious to all this, Maaya's husband, Akshay (Shaam, convincing) is busy romancing Bhoomi (Aqsa Bhatt, passable). Enter Shakthi Vel (Arjun, effective), a cop who has been asked to handle the case. He brings in Akshay for interrogation, and the young man, with his reticent behaviour, soon finds himself as the prime suspect. For more than an hour into Oru Melliya Kodu, AMR Ramesh manages to keep the suspense surrounding the missing body intact. Is it really Akshay who has killed his wife and stolen her body? Is Maaya staging the entire episode to get back at her unfaithful husband? Is it Bhoomi who might be playing her own game? Or, has Maaya returned as a ghost to take revenge against Askhay and Bhoomi? What does Shakthi Vel got to do with this mystery? He makes us ask all these questions as he moves from one scene to the next, all the while holding his cards close to his chest. The cinematography is also full of weird, unsettling angles and frames and we even get a gritty gross-out scene that nods at Danny Boyle's Trainspotting as Akshay eats an incriminating piece of evidence after trying to flush it out in the loo. Meanwhile, we are given glimpses into Maaya's life when she was alive. How she and Akshay, who is younger to her, became a couple, how did Akshay fall for Bhoomi and so on. These characters are presented in a way that shows us what each one is capable of. But after a point, the tension starts to dissipate (not just because of the unnecessary songs), and by the time we come to the reveal — a twist that arrives without any bit of foreshadowing to make it seem well-earned — we feel kind of cheated. Worse, the film starts to come across as a PSA against drunken driving. It is a pity that the film fails to cross that melliya kodu between being 'not boring' and 'compelling enough'.
"Dirty" Harry Callahan is a San Francisco Police Inspector on the trail of a group of rogue cops who have taken justice into their own hands. When shady characters are murdered one after another in grisly fashion, only Dirty Harry can stop them.
A young terrorist kills and injures patrons of a Norfolk amusement park by placing homemade explosives on the track of one of its roller coasters. After staging a similar incident in Pittsburgh, he sends a tape to a meeting of major amusement park executives in Chicago, demanding $1 million to make him stop.
FBI agent Joel Campbell, burnt-out and shell-shocked after years spent chasing serial killers, flees L.A. to begin a new life for himself in Chicago. But five months later, Joel's best laid plans are abruptly cut short when his new hometown becomes the setting for some particularly gruesome murders-murders that could only have been committed by one man: David Allen Griffin. One of Joel's most elusive and cunning nemeses, Griffin has followed his former pursuer to Chicago in order to play a sadistic game of cat and mouse. Taunting Joel with photographs of his intended victims and leaving his crime scenes meticulously free of clues in order to keep the police at bay, Griffin derives as much pleasure out of watching Joel react to every movement as watching his victims die. But when Griffin moves into Joel's inner circle, Joel must quickly find some way to stop him before someone close to him becomes the next one to die.
"Popeye" Doyle travels to Marseilles to find Alain Charnier, the drug smuggler that eluded him in New York.
A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.
A street-wise kid, Mark Sway, sees the suicide of Jerome Clifford, a prominent Louisiana lawyer, whose current client is Barry 'The Blade' Muldano, a Mafia hit-man. Before Jerome shoots himself, he tells Mark where the body of a Senator is buried. Clifford shoots himself and Mark is found at the scene, and both the FBI and the Mafia quickly realize that Mark probably knows more than he says.
A father goes all out to clear his daughter from any wrong doing in the murder of his fiancée. When all evidence points to her, he takes matters into to his own hands to save his daughter and outwit the judiciary system.
For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the Ice Man. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.
Sent into a drunken tailspin when his entire unit is killed by a gang of thrill-seeking punks, disgraced Hong Kong police inspector Wing needs help from his new rookie partner, with a troubled past of his own, to climb out of the bottle and track down the gang and its ruthless leader.
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
When 54 high school girls throw themselves in front of a subway train it appears to be only the beginning of a string of suicides around the country. Does the new all-girl group Desert have anything to do with it? Detective Kuroda tries to find the answer, which isn't as simple as he had hoped.