War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
I reckon this was always going to be a bit of a creatively risky venture and for me: a Frenchman moving a Greek myth to the culturally diverse Brazil was always going to be quite an ask. It's colourful and well cast, but I am afraid the story just muddled up too many themes for me. The premiss is the same as the ancient story, with this time "Eurydice" (Marpessa Dawn) having fled her home town to avoid the unwelcome attentions of a suitor. She encounters tram driver "Orfeu" (Breno Mello) and pretty much instantly they hit it off. He serenades her with his carousing guitar music - despite the fact that he is already promised to "Mira" (Lourdes de Olivera). Guess what? "Mira" isn't too impressed with her boyfriend's philandering and when "Eurydice" goes off the grid amidst all the celebrations and colour that is mardi gras, "Orfeu" suspects everyone and must set off on a search that will test his mettle and his love - and put him in the path of death itself! I enjoyed the idea but somehow it just didn't quite work. Surely there must be local mythology that could have been better applied here? It reminded me a little of Preminger's "Carmen Jones" (1954) in that by simply relocating a classic story to a new and vibrant scenario, you lose quite a lot of what made the original story work in the first place - even if it is a timeless love story that ought, on paper, to be easily transferrable. There's no doubt, though, a cracking chemistry between Mello and Dawn and I did enjoy Olivera's performance too. There is some beautiful and captivating photography of Rio de Janeiro that does illustrate the vibrancy of the place, and it's a beautiful film to watch. The story? Well I'm not so sure it marries so well and there's just too much focus on the environment and not enough on developing the characters.
A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams.
In a rural town in Louisiana, a black Master Sergeant is found shot to death just outside the local Army Base. Military lawyer, Captain Davenport—also a black man—is sent from Washington to conduct an investigation. Facing an uncooperative chain of command and fearful black troops, Davenport must battle with deceit and prejudice in order to find out exactly who really did kill the Master Sergeant.
Legend tells of a girl named Palmira. A teenager, becoming a beautiful woman, her normal small town life took an unexpected turn. A demon expelled from paradise falls in love with her, causing great misfortune; only one can defeat him.
Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.
A new music teacher in a 1955 West Texas home for wayward boys brings new vision and hope for many of the interned boys.
The executive producers of High School Musical keep the good times rolling with this upbeat musical comedy set in the one place every American teenager's home away from home - the local shopping mall. Ally (Nina Dobrev) is an optimistic adolescent singer/songwriter whose hard working mother owns the mall music shop frequented by every teen in town. When Ally shares her music with Joey (Rob Mayes), a janitor in the mall who harbors rock star ambitions, she is thrilled to find someone who can truly relate to her songs as well as her heart. Trouble looms on the horizon, however, in the form of the mall owner's spoiled rotten daughter Madison (Autumn Reeser). Madison is the kind of girl who's used to getting whatever she wants, and what she wants now could prove disastrous for both Ally's ambitions, and her mother's popular music store.
Two teenagers are drawn together by the Buzzcocks' single 'Love You More' during the summer of 1978.
The actress wants to sing. But her music is far short compared to her brilliant acting. As everyone closes their ears to her song, a man begins to listen to her heart.
When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.
A guitar playing car thief meets an autistic savant piano player, and together they transform a group of reluctant halfway house convicts into The Killer Diller Blues Band.
Pig and Runt born on the same day, in the same hospital, moments apart. Twins, all but by bloodline. Inseparable from birth, they are almost telepathic. They are one, needing no one else, inhabiting a delicate, insular and dangerous world where they make their own rules and have their own language. But days before their 17th birthday the balance of their world begins to shift. Pig's sexual awakening and jealousy begins to threaten their private universe.