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**The one who wandered around like a breeze.** This is one of the earlier directional venture for Clint Eastwood. Probably not famous among his fans as his other flicks, but I totally loved it. I did not know it was his film till I saw, though he did not star in it, because the story needed an older actor than he was at that time. To me this film looked like a sweet poem, one of the rare romance theme, and most probably for the open minded people. Now this entered into my all time favourite list. So now you know how much I liked it, but I want to write more about it... It was a wonderful opening, I mean very simple, but you will remember forever the Breezy's introduction, step by step her trademarks like her attire; a hat and an old jacket, guitar that never used and the way she's living her life on the daily basis. We never know why she chose that life, but her kindness really reaches our heart. She's not just like her kind of people, I mean Americans call them hippy, but very soon the film reveals her emotional side when she finds a dead dog on the road side. So she runs away from a man she just met leaving her things behind in the car, but again, they meet in an unexpected circumstance like a fate brought them together. Their relationship as well gets more intentional by the days passing by. But the unavoidable differences between them and the society that talks behind them forces them apart. The remaining tale is to disclose whether they remain true to their hearts or the reality takes over. Don't misunderstand what you read in synopsis, this is not a sexual exploration or drugs and alcohol related thematic product. This is a cute romance film between an older man and an older teenage girl. So it is good for the grown-up audience and maybe matured teens, particularly not for the people who are culturally, religiously attached to. I don't think so, I would have liked it if I saw it ten years ago. Maybe the age factor played a role here, I'm a different person now, but I'm glad I saw it at the right time of my life. Like there's a saying, better late than never, anyway, I was not even born when it came out. > "Nobody matures. They just grow tired." Not just Clint Eastwood's direction, but the writing was top class. Everybody who worked for the film delivered, but still I can't understand how it went unnoticed all these years. Both the lead actors were extraordinary. Great, an unusual chemistry, especially William Holden was made for the character he had played in this. And for Kay Lenz, it will be her best film, particularly from those I've seen. She also nominated for the Golden Globe for her role in this, but I feel she should have won it. The musics and songs were good with the beautiful cinematography. You will never know how this film ends so fast, that kind of addictive it is that makes you forget the time. The most of the film focused on the two main characters and they are completely different from one another which was neatly briefed on the screen for us. It took enough time to set the tone right, particularly the old man's, but Breezy was very easy and everybody who watches this film would surely fall in love with her. Eastwood did not make many romance films, but from those this would definitely remain on the top. He said he liked this one very much, it is his one of the favourite among his directional features. I would have not minded if he had played the lead role with make-up to change the look, but I'm very happy with the existing casting. It opened with the character Breezy, but soon the narration shifts to an old man's perspective. Slightly an emotional tale, but in a romantic way. There were many touching and memorable lines. When I like a film, I would watch it again in a short gap and I did for this. But the result was same, I liked it even more on my second viewing. Forget the respond it got when it got released, but those who watched it in the recent time praising it a lot. Definitely it's going to set a cult status once a good number of people saw it, definitely it should be. For now it is like another 'Melody', so I strongly suggest you to watch it and spread the words. I hope you realise I'm not wrong. _9/10_
A sweet flick featuring William Holden and Kay Lenz. The two leads come across very well and are both charming, I enjoyed both of their performances - with Lenz narrowly edging Holden out, if I had to split them. The story begins a bit iffy but does end up coming out as pleasant. Of course age gap love can be off-putting in film, but as long as it's done correctly then it can work - evidently. Clint Eastwood directs but doesn't feature in a main role, though does have a few second cameo - one that is easy to spot, if you keep close enough attention. The support cast, while nothing standout, are all solid. 'Breezy' is apparently one of Eastwood's lesser seen films, as shown by it having less than 2,000 ratings here on Letterboxd. I guess it's not for everyone, but I'd recommend it - the pacing isn't perfect, but it isn't anything that drags at all.
Computer game designers Ethan and Cole take a working vacation at Paradise Sands Resort. Ethan is with his wife, Sarah, and playboy Cole who both have sex on their minds. As Cole adds another notch to his conquest belt, Ethan pressures Sarah to fulfill one of his cherished fantasies.
The true story of the infamous prison break of Gary Tison and Randy Greenwalt from the Arizona State prison in Florence, in the summer of 1978.
On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
Paralyzed in the Vietnam war, Ron Kovic becomes an anti-war and pro-human rights political activist after feeling betrayed by the country he fought for.
Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.
Hayley’s a smart, charming teenage girl. Jeff’s a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff’s place. Jeff thinks it’s his lucky night. He’s in for a surprise.
Skeptical young detective Ichabod Crane gets transferred to the hamlet of Sleepy Hollow, New York, where he is tasked with investigating the decapitations of three people – murders the townsfolk attribute to a legendary specter, The Headless Horseman.
When Paula leaves her mate Pedro, he misses her and looks for comfort with his best friends, Javier and Sonia. Paula is having an affair with Javier. Pedro tries to find who is the secret lover of Paula, and hires a private eye. Meanwhile, while comforting Pedro, Sonia has a one night stand with him and Javier thinks she is cheating on him with her lesbian friend Luzia.
Despite their social differences, poor David and the rich Olivier are the best friends. David took the young Eleanor in Olivier's Paris apartment. When Olivier meets her there, he takes her to the country, where the three build a boat on the meadow. Eleanore divided the friends.
After a year apart - attending different schools, meeting different people - the guys rent a beach house and vow to make this the best summer ever. As it turns out, whether that will happen or not has a lot to do with the girls. Between the wild parties, outrageous revelations and yes, a trip to band camp, they discover that times change and people change, but in the end, it's all about sticking together.