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As the title indicates, Appa dwells on the role of fathers — how they bring up their kids becomes a deciding factor in their children's lives. Like some of his previous films, in this one, too, Samuthirakani touches upon a few socially relevant issues. To start with, there are three fathers — Dayalan (Samuthirakani), a humanitarian who has high hopes on society, Singaperumal (Thambi Ramaiah), a self-centered person who is concerned only about his ambitions, and Nadunilaiyan (Namo Narayana), a well-calculated man who always prefer to be on 'safe side' in life. The story kicks off when each of them is blessed with a child, and they try to instil their philosophy of life into their respective kids. Dayalan's wife can't digest the fact that the former wants their son, too, to adopt his progressive ideologies. All hell breaks loose when she realises that her husband is planning to make their child Vettreeswaran (Vignesh) a 'good person' than a 'well-educated' man with a white-collar job. On the other hand, Singaperumal is keen on making his son Chakravarthy (Raghav) a doctor, despite a not-so-effective protest from his wife. His principles and insistence on an over-disciplined lifestyle become a nightmare for Chakravarthy. Nadunilaiyan, too, brings up his child Mayilvaganam (Nasath) in a way that he wants him to be — asking him to stay away from all sort of issues which would lead to an uneasy life. His wife, however, has little say at home. The story focusses more on the relationship between Dayalan and Vettreeswaran, and the father-son episodes are a delight to watch. As all the children grow older and reach their mid-teens, each of them chooses a career — quite obviously, Vettreeswaran succeeds in pursuing what he likes, thanks to the guidance of his father. Chakravarthy struggles to meet his father's endless expectations. Interestingly, Mayilvaganam manages to put up an impressive show in his area of interest, despite a not-so-common physical problem and discouragements from his father. Meanwhile, Vettreeswaran and Chakravarthy fall for (read infatuation) girls (played by Gabriella and Yuvalakshmi respectively), whom they happen to meet at different situations. Dayalan, who has been successfully maintaining a friendly rapport with all the children, including the girls, becomes a reliable father figure for them. Even as the plot moves at a slow pace, an unexpected tragedy hits them putting one of these lives in danger. Nadunilaiyan feels bad when he realises the mistake he has been doing to his son all these years, while Singaperumal has to pay for his unjust deeds. Despite the sluggish narration at a few places and the clumsy making, Appa, for sure, throws light upon a few issues which need to be addressed promptly. Prominent among them is the little-known horrible life students lead in the educational institutions and the manipulation which influential people resort to, for justifying the wrong doings. Samuthirakani excels as an actor again, though this is not one of his best roles. However, as a director, he gets too preachy. Thambi Ramaiah puts up an impressive performance. It is the little boy Nasath who is the attraction of the film, while Vignesh, Raghav and the girls are apt. The music by Ilaiyaraaja hardly contributes to the film, as does Sasikumar's brief appearance.
Blue-collar Paulie prepares for fatherhood and his forthcoming wedding to Sue by hanging out with his groomsmen. Brother Jimbo, cousin Mike, and his pals fill the reunion with drinking, boys-will-be-boys antics and a few unexpected personal confessions. But, when the bonding devolves into accusations and regret, Paulie has to decide whether he's ready to tie the knot and take this big step into adulthood.
A widowed new dad copes with doubts, fears, heartache and dirty diapers as he sets out to raise his daughter on his own. Inspired by a true story.
Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.
The story of Jody, a misguided, 20-year-old African-American who is really just a baby boy finally forced-kicking and screaming to face the commitments of real life. Streetwise and jobless, he has not only fathered two children by two different women-Yvette and Peanut but still lives with his own mother. He can't seem to strike a balance or find direction in his chaotic life.
A married workaholic, Michael Newman doesn't have time for his wife and children, not if he's to impress his ungrateful boss and earn a well-deserved promotion. So when he meets Morty, a loopy sales clerk, he gets the answer to his prayers: a magical remote that allows him to bypass life's little distractions with increasingly hysterical results.
Within Brooklyn’s ultra-orthodox Jewish community, a widower battles for custody of his son.
Single father Aaron fights to save his 12-year-old hemophiliac son after becoming infected with vampire blood.
When his husband Gabriel files for divorce, Nicky fights for custody of their 8-year-old son Owen, as he struggles to come to terms with what it means to love someone and what it means to be a father.
As children, Nick and his little brother take care of their baby brother while their mother drinks herself senseless. But the baby dies, and both brothers blame themselves. Many years later, Nick is out of prison after serving time for an assault. He drinks, lives in a shelter and tries to help an old friend. When their mother dies, Nick meets his brother at the funeral. The brother, who remains nameless, is a single father to a young boy, but also supports a drug habit that is spiraling out of control. When an opportunity presents itself, he becomes a drug dealer to secure his son's future. Eventually, the two brothers meet again.
A father has less than a day to pay back a debt to a violent loan shark, while looking after his young son.
Escaping war, a Syrian writer seeks asylum in Germany with his family. On the escape route he lost his wife so that only he and his daughter are left. Once they are settled in a refugee camp, he is forced to give his daughter to a German family. A moving story of forced assimilation and the struggle of the refugee in the modern world.