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**_An extraordinarily lazy adaptation_** > _With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally 'bright,' did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn't it this bright boy you selected and tortured after hours? Of course it was__. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves again. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man?_ - Ray Bradbury; _Fahrenheit 451_ (1954) I don't do remakes. They're a cancer of the industry. Where I am more flexible, however, is in adaptations of novels that have already been adapted. After all, my all-time favourite film falls into this category (Terrence Malick's _The Thin Red Line_ (1998) was the second adaptation of James Jones's novel). _Fahrenheit 451_ is also a second adaptation; in this case, of Ray Bradbury's 1953 novel, and, for all intents and purposes, it's a misfire. Bradbury himself has said the novel is not about censorship, as is often assumed, but was written in response to the Second Red Scare and the rise of McCarthyism. More specifically, it's a treatise on the dangers of an illiterate society unquestionably accepting the word of a monopolising centralised mass media. Adapted for the screen and directed by Ramin Bahrani (_99 Homes_), the film is set at an unspecified point in the future, after a second civil war has been fought. All aspects of society are rigidly controlled by the Ministey, an authoritarian government that believes unhappiness, mental illness, and difference of opinion come from unregulated reading. As such, all books have been banned, although simplified and edited Ministry-approved editions of texts such as the Bible, Herman Melville's _Moby Dick, or, the Whale_ (1851) and Virginia Woolf's _To the Lighthouse_ (1927) are available on the internet (known as "the 9"). Special units of "firemen" are tasked with locating and burning any remaining books, and estimates suggest that within 20-30 years, books will have become completely extinct. The film follows two such firemen; Cpt. John Beatty (Michael Shannon), the veteran and somewhat disillusioned mentor of Guy Montag (Michael B. Jordan), an idealistic rookie who believes unquestioningly in the firemen's work. That is until he meets Clarisse McClellan (Sofia Boutella), who educates him as to the real history of the US, the rise of the Ministry, and why they want literature destroyed. Now, you'd think that in this age of Trump's fake news and people using Facebook as a news source, something with this subject matter would speak volumes to a contemporary audience. And you'd be right. Unfortunately, this film isn't about sheeple and mass media. Apparently unaware of Bradbury's statements, the filmmakers have focused almost exclusively on censorship. But it falls down in other areas as well. Mildred Montag is absent, hence the theme of addiction to television broadcasting which tells people how and what to think. Additionally, the infrequent and scattered allusions to the importance of literary texts serve to undermine the absolutely essential nature of what the rebels are doing by memorising whole texts. This should be the film's absolutely central statement, but instead, it comes across as a bunch of weirdos being quirky. Jordan plays Montag as a bombastic loudmouth TV personality. Shannon is, well, Shannon. Don't get me wrong, I love the guy. He's an actor of immense talent. But here, he's playing an identical character to the one he played in Guillermo del Toro's _The Shape of Water_ (2017). It's an extraordinarily lazy performance. In fact, everything about the film is lazy. Bahrani's direction is flat and uninspired; the whole thing looks like _Blade Runner_-lite. It's all very conventional and safe, which neither the novel nor François Truffaut's 1966 adaptation was. And this conventionality and safety grind against the inherently rebellious subject matter, rendering it less urgent, and hence, less potent.
Timely for sure, and check that cast, but 2018's _Fahrenheit 451_ is a TV movie and it plays like one. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
So...what would happen if Fahrenheit 451 was made into a movie by the Cancel Culture crowd? You don't have to wonder, it's right here. It's a movie about book burning... and CRT... so, you know, they want to say that when the right burns books it's bad, and whiteness, and evil... but some books still need to be burned, because if you don't burn them than people might get wrong think, and that is bad too. And because of that, it never really finds its footing. But it does succeed in taking a movie about censorship, inserting 1619 Project Revisionist History pro-censorship politics, and then making it completely and totally unwatchable. And that might have been the intent. But I get the feeling that Jordan just threw up his arms in frustration, gave up, and decided to phone it in and get it done as fast as he could.
An opulent beach resort provides a scenic background to this amusing whodunit as Poirot attempts to uncover the nefarious evildoer behind the strangling of a notorious stage star.
An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.
Emily Boynton, the stepmother to three children, blackmails the family lawyer into destroying a second will of her late husband that would have freed the children from her dominating influence. She takes herself, the children, and her daughter-in-law on holiday to Europe and the Holy Land. At a dig, Emily is found dead and Hercule Poirot investigates.
As a 13-year-old, fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.
A story of love and life among the landed English gentry during the Georgian era. Mr. Bennet is a gentleman living in Hertfordshire with his overbearing wife and five daughters, but if he dies their house will be inherited by a distant cousin whom they have never met, so the family's future happiness and security is dependent on the daughters making good marriages.
An awkward, telekinetic teenage girl's lonely life is dominated by relentless bullying at school and an oppressive religious fanatic mother at home. When her tormentors pull a humiliating prank at the senior prom, she unleashes a horrifying chaos on everyone, leaving nothing but destruction in her wake.
Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.
Seasoned adventurer and treasure hunter Dirk Pitt, a former Navy SEAL, sets out for the African desert with his wisecracking buddy Al in search of a confederate ironclad battleship rumored to have vanished long ago, the main draw being the treasure supposedly hidden within the lost vessel. When the daring duo come across Dr. Eva Rojas, a beautiful scientist who is juggling an escape from a warlord and a mission to stop the spread of a powerful plague, their desert expedition begins to heat up.
When his helicopter goes down during his fourth tour of duty in Afghanistan, Marine Sam Cahill is presumed dead. Back home, brother Tommy steps in to look over Sam’s wife, Grace, and two children. Sam’s surprise homecoming triggers domestic mayhem.
A young man finds out that he holds the key to restoring hope and ensuring survival for the human race, while an alien species called the Drej are bent on mankind's destruction.
Mere seconds before the Earth is to be demolished by an alien construction crew, Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."