Flesh and Blood: The Hammer Heritage of Horror

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

After a series of scientific experiments directed towards freeing the inner man and controlling human personalities, the kindly, generous Dr Henry Jekyll succeeds in freeing his own alter ego, Edward Hyde, a sadistic, evil creature whose pleasure is murder.

Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wreaks his revenge on the perpetrator of his misery: Baron Frankenstein.

Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.

A deformed tormented girl drowns herself after her lover is framed for murder and guillotined. Baron Frankenstein, experimenting with the transfer of souls, places the boy's soul into her body, bringing Christina back to life. Driven by revenge, she carries out a violent retribution on those responsible for both deaths.

Dr Simon Helder, sentenced to an insane asylum for crimes against humanity, recognises its director as the brilliant Baron Frankenstein, the man whose work he had been trying to emulate before his imprisonment. Frankenstein utilises Helder's medical knowledge for a project he has been working on for some time. He is assembling a man from vital organs extracted from various inmates in the asylum. And the Baron will resort to murder to acquire the perfect specimens for his most ambitious project ever.

Once hounded from his castle by outraged villagers for creating a monstrous living being, Baron Frankenstein returns to Karlstaad. High in the mountains they stumble on the body of the creature, perfectly preserved in the ice. He is brought back to life with the help of the hypnotist Zoltan who now controls the creature. Can Frankenstein break Zoltan's hypnotic spell that incites the monster to commit these horrific murders or will Zoltan induce the creature to destroy its creator?

Rescued from the guillotine by his devoted dwarf Fritz, the Baron relocates to Carlsbruck, where he continues his gruesome experiments.

Young Victor Frankenstein returns from medical school with a depraved taste for beautiful women and fiendish experiments.

In 1830, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla. The nearby Finishing School offers rich pickings not only in in the blood of nubile young ladies but also with the headmaster who is desperate to become Mircalla's disciple, and the equally besotted and even more foolish author Richard Lestrange.