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Branagh's 2022 black and white film **BELFAST** is considered his most personal film. I offer that his 1995 black and white film **IN THE BLEAK MIDWINTER** is equally autobiographical. And I guess that we will see a third black and white film in the future that would showcase the twilight of his career to close out the Branagh Trilogy. (_Cross your fingers_.) **IN THE BLEAK MIDWINTER** is also the first film that Branagh does not appear. It is arguably the least popular film in his oeuvre, partially because of the release in the United States under the name **A MIDWINTER'S TALE**. For ease of understanding, this review will refer to it as **MIDWINTER**. The storyline is brief, almost a British **WAITING FOR GUFFMAN** as a small group of theatrical performers are mounting an overly ambitious, _underly_ funded production of that old Christmas classic, **HAMLET**. Yes the _everyone's dead at the end_ **HAMLET**. It even results in a powerful movie producer attending opening night in an environment not typical to great theatre. The screenplay is filled with great characters and very funny circumstances. Although not on screen, Branagh's voice is loud and clear. In fact, by this sixth film of his, we are able to see a bit of critical weakness. Branagh's films are lacking in quiet moments - usually wall to wall dialogue mixed with Patrick Doyle's regal musical scoring. This film is the first to subtly address that. In fact, it ends with many payoffs that the heart understands oh so well. **MIDWINTER** is a very good film, but will likely remain his most forgettable work... Until my _dream Branagh Trilogy_ Box Set exists!
Flamboyantly gay Austrian television reporter Bruno stirs up trouble with unsuspecting guests and large crowds through brutally frank interviews and painfully hilarious public displays of homosexuality.
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath in north-west London, the film investigates the minutiae of seven couples. What makes us tick?
During the Florida land boom, the Marx Brothers run a hotel, auction off some land and thwart a jewel robbery.
Drowning in tinsel and lights every Christmas, Michael and Caroline Anderson throw the year’s biggest party at their house. But this year, with Michael jobless and Caroline’s store struggling, that tradition may end. The Andersons decide to host a very different kind of party and, in the process, rediscover what’s most important about the holiday.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
A 16-year-old girl visits her gay half-brother and ends up seducing his boyfriend, thus wreaking havoc on all of their lives.
Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.
Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was - and falls for him.
A hypochondriac irks his partner by embracing the advice of an eccentric healer.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.