The Magic Sun

What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'

When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.

The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".

Off-camera, a Western traveler tells us of hearing singing from his hotel window in Bombay. He searches for the source, and discovers a caste of street performers, eking out a modest living. We see individuals and groups, old and young, snake charmers and those hired to sing at family celebrations. A few talk about their lives and refute accusations of kidnapping lodged against the caste. A troupe of women sing at a party for a pregnant woman - they are saucy and blunt, encouraging and sisterly.

Light Up the Night is an analog science-fiction short film set in an Orwellian, futuristic 1980s. The story tells the tensions flaring between rebellious citizens and robotic law enforcement. We are introduced to two dissidents as they take aim at the city's looming, panoptic control tower, while local band The Protomen take the stage amidst the action, inciting unrest as they narrate the struggle.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Welcome to the Private Life of Kyle Ross. In this intimate documentary, you'll get to know the boy behind the star. From his corporate gig at Helix Studios to the dissolution of his high profile relationship, nothing is off the table. Intent on bending stereotypes and gracefully aging in an industry that celebrates youth, Kyle shares the work that goes into maintaining an image while simultaneously shedding it. After all, he's always enjoyed a contradiction.

The Hot Club of Montevideo is a Uruguayan cultural institution founded in 1950 by the pianist Paco Mañosa, along with his brother and some friends who played together. It was the first club dedicated exclusively to jazz in Latin America.