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I have no idea why people are raving about this film, it's a bit crap, it's probably Oldman weakest performance to date, and the cinematography is terrible. Churchill with Brian Cox in the lead role is a FAR superior film on the subject.
As with many of the biopics I've seen recently, _Darkest Hour_ is more focussed on delivering you the facts than getting you involved with the characters. It is an interesting idea to have the majority of the story revolve around the of whether or not to sue for peace. That as a core concept in so much as the question of "Do I take the guarantee of saving my country or do I take the risk of saving the world?" and beyond that "Is there even a right answer to that question? And who am I to decide something this big?" is a great philosophical centre for a movie. But I never felt like I knew why any of these people had the answers that they gave. I get that in a historical context, these aren't characters they are real life people, so they answers they had are the answers we see, but again, we are only given the _what_, not the _why_. Except you can throw all of that away because here comes Gary Oldman in his Oscar nominated transformation to make this movie 100% worth watching. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
It's 1940, and Hitler is attempting to take over Europe. The film takes an interesting look at Winston Churchill's first five weeks as Prime Minister. The acting in this movie is quite accomplished; good actors bring insight and depth to the characters. Overall, it's a well-done, engrossing film. Gary Oldman's performance as Winston Churchill was very good indeed, and his delivery of Churchill's speeches alone make watching the movie worthwhile!
I saw this film at TIFF on the big screen and loved it. There's not a weak member of the cast. I really loved the way the photography reflected the sense of gloom that would have been felt by the people facing a new war. Big thumbs up, gives a strong sense of the time and place.
Gary Oldman was superb as Churchill.
I thought I might have seen this a couple pf years ago, but I still enjoyed it. There have been a few movies about Churchill’s rise to power at the outset of World War II. This one seems to cover the least amount of ground, focusing on his thought processes, the political climate and his personal life leading only up to the beginning of the Dunkirk evacuation. I thought there were two things the film did well with its strong writing and actor portrayal: the first was to present Churchill, a larger than life character, as just a life-size person, with the foibles and weaknesses he carried around with him. The other strength was in building depth into some of the secondary characters. His new aide typist, for example, is ready to quit after Churchill yells at her unfairly. It would have been easy to rehabilitate him for that temper tantrum by having him soften towards her and convince her to stay on. Instead she leaves the building, is handed an important communication from the king, and decides for herself to stay on and do the job. Churchill is the focal point pf the film, but again and again he shares the limelight onscreen with others like this, such as the extended scene in the subway. So within it’s narrow focus, I think the movie does a great job telling the story of this interlude from history.
A tour de force from Gary Oldman as he portrays Winston Churchill in his first few months of office at the start of WWII. Oddly enough though, aside from a few brief appearances from Kristin Scott-Thomas, the rest of the cast in this historical biopic are really quite unremarkable. The speeches are delivered magnificently; but there are too many speculative machinations going on - not least those involving King George VI - that do bring the credibility of this into question. There was plenty of accurately documented reportage from this time to enable Anthony McCarten to pen an entertaining script based more on the facts of this unsteady period of Churchill's premiership; Dunkirk; his relationship with Halifax & Roosevelt etc. rather than invent storylines. The attention to detail is superb and Oldman well deserved his second Oscar.
When allied troops liberate a small battle-scarred Belgium town in 1944 the American and British commanders do all they can to help the war-weary people back on their feet. There are mental and physical wounds to heal, fields to plough, the church to rebuild. But a top Nazi, knowing the War is lost, has infiltrated the town and is fostering dissent and disunity.
In an age when disinformation muddles the truth, a newly discovered voice cuts through the historical haze. She is Rhea Clyman, a young Canadian reporter who traversed the starving Soviet heartland when Stalin’s man made famine was just beginning in Ukraine. Clyman’s newly discovered newspaper articles for Toronto and London newspapers in 1932 show her remarkable resourcefulness and courage. After she was banished from the USSR for writing about the Holodomor and the Gulag, this brave woman went on to cover Hitler’s early lethal years in power.
Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a normal life. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to put on a fashion show.
The rise of Aretha Franklin’s career from a child singing in her father’s church’s choir to her international superstardom.
At 11:30pm on October 11, 1975, a ferocious troupe of young comedians and writers changed television forever. This is the story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live.
The two enemies from war, Slovenian partisan Berk and German soldier Bitter, meet each other during holidays in Spain. Recalling the war through conversation, Berk remembers Anton, his fellow comrade he had spend the most time with.
YEARS OF PILGRIMAGE: Franz Liszt was a virtuoso pianist that took early nineteenth-century Europe by storm. He conquered the Parisian salons with passionate performances marked by excellent technique and handsome features that became the downfall of many women. But what was he truly after? The musical narrates the story of Liszt's early years, and his pilgrimage across Europe in an attempt to find a place where his soul could belong, focusing on the romance with the Countess Marie d'Agoult, and his greatest friend and rival, Chopin. FASHIONABLE EMPIRE: A revue that transforms the stage into the "Empire" where the pioneering fashionistas of our time gather. The stylish array of scenes will enchant the audience, at times with the cool atmosphere, and at times with the hot beats. While focusing on the sophisticated and metropolitan appeal of top star Yuzuka Rei this revue also shows off the unique, scintillating members of Flower Troupe through many groovy scenes.
A woman tries to survive the invasion of Berlin by the Soviet troops during the last days of World War II.
At the Wannsee Conference on January 20, 1942, senior Nazi officials meet to determine the manner in which the so-called "Final Solution to the Jewish Question" can be best implemented.
Ben Crane believes that a severely injured racehorse deserves another chance. He and his daughter Cale adopt the mare and save it from being sacrificed by the owner.