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I have no idea why people are raving about this film, it's a bit crap, it's probably Oldman weakest performance to date, and the cinematography is terrible. Churchill with Brian Cox in the lead role is a FAR superior film on the subject.
As with many of the biopics I've seen recently, _Darkest Hour_ is more focussed on delivering you the facts than getting you involved with the characters. It is an interesting idea to have the majority of the story revolve around the of whether or not to sue for peace. That as a core concept in so much as the question of "Do I take the guarantee of saving my country or do I take the risk of saving the world?" and beyond that "Is there even a right answer to that question? And who am I to decide something this big?" is a great philosophical centre for a movie. But I never felt like I knew why any of these people had the answers that they gave. I get that in a historical context, these aren't characters they are real life people, so they answers they had are the answers we see, but again, we are only given the _what_, not the _why_. Except you can throw all of that away because here comes Gary Oldman in his Oscar nominated transformation to make this movie 100% worth watching. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
It's 1940, and Hitler is attempting to take over Europe. The film takes an interesting look at Winston Churchill's first five weeks as Prime Minister. The acting in this movie is quite accomplished; good actors bring insight and depth to the characters. Overall, it's a well-done, engrossing film. Gary Oldman's performance as Winston Churchill was very good indeed, and his delivery of Churchill's speeches alone make watching the movie worthwhile!
I saw this film at TIFF on the big screen and loved it. There's not a weak member of the cast. I really loved the way the photography reflected the sense of gloom that would have been felt by the people facing a new war. Big thumbs up, gives a strong sense of the time and place.
Gary Oldman was superb as Churchill.
I thought I might have seen this a couple pf years ago, but I still enjoyed it. There have been a few movies about Churchill’s rise to power at the outset of World War II. This one seems to cover the least amount of ground, focusing on his thought processes, the political climate and his personal life leading only up to the beginning of the Dunkirk evacuation. I thought there were two things the film did well with its strong writing and actor portrayal: the first was to present Churchill, a larger than life character, as just a life-size person, with the foibles and weaknesses he carried around with him. The other strength was in building depth into some of the secondary characters. His new aide typist, for example, is ready to quit after Churchill yells at her unfairly. It would have been easy to rehabilitate him for that temper tantrum by having him soften towards her and convince her to stay on. Instead she leaves the building, is handed an important communication from the king, and decides for herself to stay on and do the job. Churchill is the focal point pf the film, but again and again he shares the limelight onscreen with others like this, such as the extended scene in the subway. So within it’s narrow focus, I think the movie does a great job telling the story of this interlude from history.
A tour de force from Gary Oldman as he portrays Winston Churchill in his first few months of office at the start of WWII. Oddly enough though, aside from a few brief appearances from Kristin Scott-Thomas, the rest of the cast in this historical biopic are really quite unremarkable. The speeches are delivered magnificently; but there are too many speculative machinations going on - not least those involving King George VI - that do bring the credibility of this into question. There was plenty of accurately documented reportage from this time to enable Anthony McCarten to pen an entertaining script based more on the facts of this unsteady period of Churchill's premiership; Dunkirk; his relationship with Halifax & Roosevelt etc. rather than invent storylines. The attention to detail is superb and Oldman well deserved his second Oscar.
Based on real life events, the film revolves around the heroic efforts of a team of firefighters as they attempt to deal with a fire that breaks out at an oil refinery in Dalian.
A movie based on real wartime diaries tells the story of the Swedish speaking Finns' infantry regiment 61. The story follows the regiment during the Continuation War from 1942 to 1944 and from Syväri to the Karelian Isthmus where they faced some of the most grueling battles against the Soviet Union.
Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.
The film portrays MacArthur's life from 1942, before the Battle of Bataan, to 1952, the time after he had been removed from his Korean War command by President Truman for insubordination, and is recounted in flashback as he visits West Point.
The story of the senior-level preparations for the D-Day invasion on June 6, 1944 from the time of Dwight D. Eisenhower's appointment as the Supreme Allied Commander in Europe, to the establishment of the beachhead in Normandy.
Tells the story of Andrew, a 13-year-old whose mother dies and leaves him with an indifferent step-father. Andrew, receiving only hostility from his classmates and step-father, begins to steal. An understanding counselor at school helps Andrew reform and readjust.
Sarı Zeybek is a 1953 biopic film written and directed by Münir Hayri Egeli. The film specifically showed the last 300 days of Mustafa Kemal's life and portrayed his ordinary human characteristics rather than his military prowess or political talents.
On Christmas Eve, 1944, in Nazi-occupied Slovakia, the Kubiš family grapples with survival amidst brutal reprisals. Marián collaborates as a fascist guard leader, while his sister Angela has an affair with their Nazi lodger, Major Brecker. The situation escalates when their younger son, Juraj, a former partisan fighter, returns home wounded. As Germans search homes for escapees, Juraj hides in the attic, while an unsettling Christmas dinner unfolds below with Major Brecker present.