Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Whilst at times a bit messy, Terence Davies and Jack Lowden have put together quite a compelling story of the life (and loves) of acclaimed British poet Siegfried Sassoon. Though not a conscientious objector - he got an MC in France during WWI, he regaled against the wartime policies of the Government and was invalided to an hospital near Edinburgh, where under the care of Dr. Rivers (Ben Daniels) he began to explore his sexuality and to fall in love for the first time (here, with an other equally acclaimed WWI poet Wilfred Owen (Matthew Tennyson)). The film uses two timelines to tell the story. The first, more of a chronology as Sassoon meets and loves the handsome yet frequently unreliable and scathing Ivor Novello (Jeremy Irvine) and Calam Lynch's excellent portrayal of Stephen Tennant. The second, less developed, strand takes a more up-to-date position with Peter Capaldi, a somewhat disillusioned and curmudgeonly old fellow. As the young man's story is told, we begin to understand a little more about why the older is whom he has now become - and that is all told poignantly with a gentle, if sparing, contribution from Gemma Jones as his long-suffering wife. Intercut with actuality from the Somme (not for the squeamish) and with the on-form Lowden (who frequently reminds be, here, of James McAvoy) reading some of Sassoon's more potent poetry and, especially at the end reading one of Owen's, this stylishly produced film provides much food for thought. The quality of the narrative ebbs and flows a bit, but for the most part it works well with an excellent ensemble in support. The marvellously catty Simon Russell Beale as Robbie Ross and Lia Williams as a superbly aloof Edith Sitwell make for a characterful study of a class of society in which homosexuals thrived; creatives created and stress, guilt and angst were really and enduringly affecting the lives of all.
Matt Travis is good-looking, popular, and his school's best competitive swimmer, so everyone is shocked when he inexplicably commits suicide. As the following year unfolds, each member of his family struggles to recover from the tragedy with mixed results.
Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill – and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.
Twenty-three-year-old John has just moved to L.A. from New York, ostensibly "taking a break" from his longtime girlfriend. He moves in with college bro Andy, whose pals incessantly do that kind of "That is so gay" banter that's essentially harmless - unless you're the only gay guy in the room.
The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.
In 1990s Los Angeles, a 13-year-old spends his summer navigating between a troubled home life and a crew of new friends he meets at a skate shop.
A knight framed for a tragic crime teams with a scrappy, shape-shifting teen to prove his innocence.
Author Rudyard Kipling and his wife search for their 17-year-old son after he goes missing during WWI.
After a brief flash-forward to Frank Sinatra as an old man, saying "I miss my guys," the movie's main narrative begins during high points in the solo careers of the Rat Pack: Dean Martin has become a big success despite the breakup of his partnership with Jerry Lewis; Sinatra's career is at its peak; Sammy Davis, Jr., is making a comeback after a near fatal car crash, and standup comic Joey Bishop is gaining exposure as an opening act for the other three. The Pack becomes complete when Sinatra reconciles with actor Peter Lawford, who has been ostracized since being seen out publicly with Sinatra's ex-wife, Ava Gardner.