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Love me love my pickaxe. Slasher films from the 1980s are legion for they are many, unsurprisingly the quality varies and the advent of time has dimmed their impact somewhat. My Bloody Valentine is middle of the road, blighted by cuts to its gore scenes, it’s a film that has had to work hard to earn its cult following. It’s a good old stalk and slash revenger based around a coal mine where a tragedy happened many moons ago. The mystery element is strong enough to maintain interest, and although the formula is consistently one dimensional for the genre of the time, it operates well above average for the gore and blood hounds. There’s some bad acting and some even worse moustaches! While expectation of a hidden slasher gem will only end in disappointment. But what it does it does well and a good time is assured for the undemanding horror peeps. 7/10
Okay early 1980s slasher (with some decent gore effects, though the violence was very tame compared to today) that has its moments but really never found it very suspenseful or worse, engaging, maybe hurting there's not much in the way of a lead to follow. I know this holds a special place in some people's hearts, I just didn't do it for me. **3.0/5**
***The Miner Forty-Niner, oh no!!! (not really, but sort of)*** Twenty years after a psycho murder spree at a mining town in Nova Scotia, gruesome slayings start happening again on Valentine’s Day. Did the psycho escape the asylum and return for more blood? “My Bloody Valentine” (1981) was part of the early 80’s slasher boom after the success of “Friday the 13th” (1980) and, of course, “Halloween” (1978). It meshes the vibe of “The Funhouse” (1981) with the location of “Orca” (1977) and throws in a dash of “The Fog” (1980). While it’s the least of these IMHO, it’s not far off. The remote mining town area on the shores of Nova Scotia is a highlight augmented by a colorful cast. Unfortunately, the filmmakers didn’t have the funds to shoot any sequences at nearby Cape Breton Highlands National Park, so there are no scenic shots; everything looks mundane with a lot of scenes taking place IN the mines, particularly most of the third act. Paul Kelman is good as the mysterious male protagonist, T.J., reminiscent of Oliver Reed. On the female front there are several beauties, e.g. Cynthia Dale (Patty), Lori Hallier (Sarah) and Helene Udy (Sylvia), but the creators curiously didn’t know how to photograph women, as was effectively done in “Friday the 13th,” “The Funhouse” and “Tourist Trap” (1979); and I’m not talkin’ ‘bout nudity or sleaze. Another problem is that the events take place in friggin’ coastal Canada during mid-February and there’s no snow or coldness to be found. It was actually shot in September-November and looks it. The 2009 remake, which was shot in central Pennsylvania, took the template of this film and made a more all-around entertaining slasher, but this one is worth checking out if you like the style of the contemporary films noted above. Like all of those flicks, it has quality mood and creepiness, but it’s never genuinely scary. When a slaying happens it’s usually humorous even though it’s played out seriously (to me, anyway). The movie runs 1 hour, 30 minutes, and was shot around Sydney Mines on Cape Breton Island, Nova Scotia. GRADE: B/B-
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
The search for a child murderer drags a once-respected detective into an all-consuming obsession.
A woman moves into an apartment in Manhattan and learns that the previous tenant's life ended mysteriously after they fell from the balcony.
With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Two detectives hunt a serial killer who is sending cryptic messages about his crimes to a local reporter.
Richard Hanney has a rude awakening when a glamorous female spy falls into his bed - with a knife in her back. Having a bit of trouble explaining it all to Scotland Yard, he heads for the hills of Scotland to try to clear his name by locating the spy ring known as The 39 Steps.