Ich liebe den Mann meiner Tochter

A noir vision of a paranoid and dangerous Buenos Aires where a group of diverse Porteños are fatefully linked by a brutal killing.

An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a 'live in the now' mentality, Cristina's second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina's journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love... what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.

Siao Yu needs a green card. Mario Moretti needs his debts paid. Getting married could solve their problems, or multiply them.

An old Laotian hermit discovers that the ghost of a road accident victim can transport him back in time fifty years to the moment of his mother's painful death.

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

Former dance instructor Emman Toledo was employed as a dance instructor for a governor’s ball. He finds himself in a passionate love affair with Cedes Fernandez who happens to be engaged to Dylan Evelino son of the governor. The couple finds themselves in a dangerous situation. The Evelino Clan is too powerful that nothing gets in their way to get what they want. Despite her hatred for the dirty politics, Cedes has no choice but to succumb to the decision of Dylan out of her indebtedness towards the family. Emman is drawn towards Cedes from the first time she catches his eye. As their lives intertwine through dance, Emman and Cedes find themselves resisting an affair: one that holds the truths to their painful pasts, and the memories of a boundless love. Pursuing their feelings for each other will only set fire to the dangers and trappings of their love, so much so that their love could cost them their lives.

A dramatization of one man's rescue of Jewish refugees in the Nazi-occupied Polish city of Lvov. In Darkness tells the true story of Leopold Soha who risks his own life to save a dozen people from certain death. Initially only interested in his own good, the thief and burglar hides Jewish refugees for 14 months in the sewers of the Nazi-occupied town of Lvov (formerly Poland).

Anyone can hold a mini-DV camera. Anyone can get 99 euros in credit. And everyone has already written a five-minute story in school. So everyone is actually prepared to make a 99euro-film. but "99euro-films" is more. It is the proof that German films can also be wild, new, modern, funny, political and entertaining. And all that in 80 minutes. 12 young German filmmakers come together, inspire exciting young actors and go: have an idea and simply film it. Just do it and be independent.

The Dutch Roos and the Turkish Rana are two adolescent bosom friends who divulge all their secrets to each other in a diary. Whereas the philandering Roos is more interested in boys than in school, the reserved Rana tries to make the best of her study. The girls are very different, but share the desire to become famous, as well as the fact that at home nobody understands them. Roos' single mother is working all the time and Rana is completely fed up with her mother's traditional upbringing. When Rana's brother reads a passage from the girlfriends' diary to his mother, the situation escalates. Rana is put under house arrest and is no longer allowed to associate with Roos. For the girls, this is the limit: they take the first train to Turkey. The long journey becomes one great adventure, which not only puts their friendship to the test, but also brings about great changes on the home front.

Prosecutor Charlotte Reinke investigates in a sensitive case: The eight-year-old Laura accuses her father novel of sexual abuse. This indignantly rejects the suspicion. The child had made the accusation under the influence of the mother, who only wanted to take revenge for having left her for another. Does Roman say the truth? Rather accidentally, the prosecutor makes a decisive discovery.