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Companion 2025 - ()
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Piglet 2025 - ()
Absolution 2024 - ()
Björk Cornucopia 2025 - ()
Dark Match 2024 - ()
Omni Loop 2024 - ()
Maurice And I 2024 - ()
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"It's a nightmare, there's an alien invasion going on." She says in a totally deadpan voice, as two lesbians calmly walk into the room and close the curtains... Seriously... This show is exactly that a nightmare. Bad acting, terrible special effects, and deadpan "I could care less about playing this roll acting" this film feels like something that was slapped together to give a bunch of no name actors an entry on their portfolio with an impressive sounding name. "Interstellar Wars!" To get the most enjoyment out of this movie, let the kids use the disk in their craft projects. It's either that, or attempt to watch this cringe worthy piece of "cinematography" totally baked out of your mind. If you were one of the unlucky few to purchase this film. You were scammed. It appears that the budget for this film was skimmed from the top of a 9th graders lunch money.
A spacetime hole. A malfunctioning appliance. A girl who dreams in love. A boy who preferred to wash by hand. Underwear that disappears. A spin of emotions: The washing machine.
As troubling signs of global cataclysms accelerate, a brother and sister react to their father's desertion and the powerful presence of their mother's new boyfriend.
A post-apocalyptic thriller set in near-future Brazil, where a select few are allowed to join a privileged society after undergoing an intense and competitive process.
In 2039, jails have been turned into online portals where the public gets to choose what prisoners eat, wear, watch and who they fight. So successful is Panopticon TV, it is about to be rolled out to a whole town, providing subscribers even more choice.
Kris Kelvin joins the space station orbiting the planet Solaris, only to find its two crew members plagued by "phantoms," creations of Solaris. Kelvin is soon confronted with his own phantom, taking the shape of his dead wife Hari.
Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.
Some fifty years in the future, a mother and daughter are held captive in a refugee compound, their lives in imminent danger.
Abdellah, a young shepherd living in the mountains, is forced to brave the snow blocking him in order to get food and save this cattle. Once he gets to the village, he faces a supernatural phenomenon.
Loving girlfriend, family fortune, breakout movie role: he's got it all. Until an app awakens a powerful new yearning. While in Rome to shoot his first movie, actor and industrial heir Niccolò becomes obsessed with the dating app "US" that sends him into a self-destructive spiral.
A young Brooklyn couple head upstate to disconnect from their phones and reconnect with themselves. Cut off from their devices, they miss the news that the planet is under attack.
