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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Never mind Virginia Woolf, she's a lightweight compared to "Martha" (Elizabeth Taylor) as "Nick" (George Segal) and his wife "Honey" (Sandy Dennis) are about to discover for themselves. They've already been at a faculty do with her and husband "George" (Richard Burton) and have gone round after for a nightcap. That's their first mistake as a vitriolic battle of sarcastic and venomous wits is just getting started between their hosts. Initially they are sympathetically embarrassed but then that morphs into something a little more participative as the brandy and the bourbon starts to take effect on everyone. In vino vertitas has never been more true as it emerges that the older couple have a son, the other bugger, and it's clear from early on that something on that front is not right. The younger couple are not immune from the prevailing toxicity and before long they are also starting to question some of what underpins their own relationship. As tempers flare, things become even more unpleasant - even violent, as there are no holds barred and psychological cruelty becomes the benchmark for just about all of them. I saw this on stage and loved it. On the big screen, Mike Nicholls has used his cinematic advantages to make it even more potent. By using the cast together, splitting them off into pairs, changing the location from their increasingly small living room, occasionally involving an innocent bystander to temporarily lessen the stress levels and even pouring some coffee into them, we tell a remarkably hard-hitting story of grief. A festering, poisonous emotion that when not dealt with can grow to throttle just about any relationship - especially if the vintner is on it, too. Taylor and Burton excel, there's no other word for it. Her performance makes the hair on the back of your neck stand up and is perfectly foiled by the more understated but just as brutal characterisation of "George" by a Burton rather benignly bedecked in his middle-aged cardigan - but don't be fooled. Though the plot doesn't focus so much on the others at the start, both Segal and a strong effort from Dennis come into their own too as the ghastliness of their new friends proves contagious and noxious. It's also directed as if we were watching from various points in the room, which adds extra impact as we see things from differing perspectives - but always with a horribly natural flow. It often comes across as a continuous stream of filming akin to how it would be presented live on a stage. This is cinema at it's most visceral with compelling characterisations and dialogue that really does hurt. Maybe don't watch if you've just had a row, or a few drinks, or both? No remakes, please.
Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.
Art professor Nino Rolfe attempts to break down his wife Teresa's conventional modesty. Noticing her affection for their daughter's fiancé, Nino instigates her sexual interest in him - setting off a chain of unexpected events and emotional complications...
Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five shillings. Father asks son if it is true; when the lad denies it, Arthur risks fortune, health, domestic peace, and Catherine's prospects to pursue justice.
A young woman leaves her older husband, the owner of a village mill, for a truck driver whom she met while he was in their village by business. While trying to find him, she experiences the life in suburbia, and gets back to her husband disappointed, disgraced and humiliated.
After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can't quite work up the inertia to escape their university's pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.
Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.
A rich man, his beautiful wife, and her young lover form a triangle of romance and revenge: One night, advertising executive Jim (C. Thomas Howell) picks up a beautiful woman in a grocery store and they have an affair. Unfortunately for him, she's Caroline Everett (Joan Severance), the wife of rich, powerful, and vengeful businessman Roger Everett (Malcolm McDowell). When he meets her again, their relationship blossoms. Roger finds it out, and sets out to ruin his life.
In the stillness of a remote town, a troubled writer intervenes in a neighbor’s abusive household— testing the limits of truth, heroism and his own fractured sense of self.
Time passes and tension mounts in a Florida police station as an estranged interracial couple awaits news of their missing teenage son.
Jack and Julie are in a relationship charged with terrible communication skills and a disruptive secret.