Cousteau: Alaska: Outrage at Valdez

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

An investigation into our landscape's hidden fire stories and on-the-ground experiences of firefighters and residents struggling through deadly fires.

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

A documentary propaganda film produced by the U.S. Army Signal Corps about the Aleutian Islands Campaign during World War II. The film opens with a map showing the strategic importance of the island, and the thrust of the 1942 Japanese offensive into Midway and Dutch Harbor. Nominated for the Academy Award for Best Documentary Feature.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

Passionate about ocean life, a filmmaker sets out to document the harm that humans do to marine species — and uncovers an alarming global conspiracy.

First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.

The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.

The documentary follows a crew of snowboarders for six weeks in the Chugach mountains, and showcases what it takes to ride these unique Alaskan mountains: the waiting, the stress, the dangers, everything that goes into it and is usually never shown. It also retraces some of the history of this unknown discipline and pays tribute to the pioneers. But the film really focuses on the human aspect and why these people do what they do.

This documentary chronicles ocean disposal of surplus World War II chemical weapons by Canada, Germany, Great Britain, the Soviet Union and the United States. Through a well edited combination of interview footage and still photographs this film outlines the serious problem that awaits us now that hundreds of thousands of tons of chemical weapons have been disposed of off our coastlines. The exact location of dumps was not always recorded on navigation charts. Sixty years later, containers that were designed to last for fifty years have started to disintegrate, posing substantial danger to both marine life and coastal communities.