Lila

A journalist investigates a woman with the name of China Doll. Soon, he discovers his knowledge of her turns out to be dangerous.

You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.

The movie follows a group of teenagers that are terrorized by an evil spirit. The film revolves around the traditional Filipino belief that one should never go home directly after visiting a wake since it risks bringing evil spirits or the deceased to one's home.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

The brothers, Jun and Diego embark on a quest to find their father. Their journey leads them to a mountain town where they meet the beautiful Lila and her brother, the charismatic Pido. Pido is a gracious host, introducing the brothers to the ways of the tribe, where members live a simple existence of brotherhood and equality, far from the corruption and greed that rule “civilization”. Jun is enamored by the possibility of living in Panimdim, little suspecting that the tribesmen’s pacifistic exteriors belie a terrible secret.

A group of friends goes to an island for a short film project when they are attacked by a mysterious killer after playing a game of bloody crayons.

Half-sisters Aileen and Romina, along with first cousins Ruth and Sandra, reunite in Camiguin to bury their grandmother. Accompanied by Sandra's friend, Lucy, the five girls dare to call on the spirits of the dead when they find their old Ouija board from when they were kids. The Ouija board is burned by accident before they are able to finish the ritual, trapping a murderous entity around them. As they begin to realize the terror that they have brought upon themselves, Aileen and Romina's hostile relationship even become more strained, while Lucy's sanity brings a heavy burden on Sandra, and Ruth's boyfriend, Gino, is unknowingly pulled into the danger and horror that await all of them. Confronted by imminent Death, the girls have nowhere to go unless they can identify the spirit and find out where it is buried. It is only by leading the spirit to its burial ground that they will able to release the spirit from the Ouija board and survive its fatal hauntings.

A mysterious woman, known as Madame M, kidnaps forty pre-teen girls and transports them to a remote island to train them as the most deadly assassins. CIA operative Jack Chen follows the case for 6 years with no leads, but when a series of assassinations begin to occur, Jack suspects that Madame M is back in business.

A family falls into turmoil as the son defies his abusive father in order to protect the people he loves.

At her family's remote ancestral home, Kelly, her boyfriend, Choppy, and a group of their pals fight boredom by dabbling in a supernatural game called Spirit of the Glass, despite the warnings of a weary caretaker. But once unleashed, the terrifying forces they stir up will not be quieted.

When Fr. Xavi is put on the case as a last resort, she sees one last chance to find help for the girl. With the aid of his keen observation skills, his rigorous learning, a heady clairvoyant assistant and perhaps a little faith, the cynical Fr. Xavi must find the means to confront a gripping darkness bigger than himself, and in doing so find some measure of purpose and redemption.