Hemland

After giving birth, Joyce attempts to regain her position as a filmmaker while also caring for her new baby. The changes to both her and her husband’s professional lives are remarkable and frustrating. The new parents love the baby but must recognize the limitations she puts on their careers.

Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhouse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.

A silent succession of black-and-white photographs of the city of Montreal.

Documentary about red-bereted Jimmy Mirikitani, a feisty painter working and living on the street, near the World Trade Center, when 9/11 devastates the neighborhood. A nearby film editor, Linda Hattendorf, persuades elderly Jimmy to move in with her, while seeking a permanent home for him. The young woman delves into the California-born, Japan-raised artist's unique life which developed his resilient personality, and fuel his 2 main subjects, cats and internment camps. The editor films Jimmy's remarkable journey.

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

"If buildings could talk, what would they say about us?" CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world's most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.

A biography of the Portuguese-born Brazilian singer Carmen Miranda, whose most distinctive feature was her tutti-frutti hat. From her arrival in the US as the "Brazilian Bombshell" to her Broadway career and Hollywood stardom in the 1940s.

Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Profile of British fashion designer Alexander McQueen.

The Cambridge Squatter tells the story of refugees, recently arrived in Brazil who, together with a group of low-income workers, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.