Final Cut

Drama and tensions rise as two determined partners in a successful Australian fashion empire will stop at nothing to achieve individual success.

In the small town of Coopers Bay, there are two high schools situated right next to each other. There’s Winchester, an all boys comprehensive and St Elizabeth’s, a girl’s only Catholic faculty. They are separated by woodland where pupils from both can meet and engage the things that attract the attention of maniac killers. It’s not surprising then that an unseen one begins murdering the youngsters as they fornicate, strangling them with a length of barbed wire before removing their eyes and burying them under the soil. Mary, the daughter of a Hollywood movie actress, becomes involved when the killer targets her and Kevin, her boyfriend. But who is this twisted psychopath and why does he want to kill all the kids?

Patrick lays comatose in a small private hospital, his only action being his involuntary spitting. When a pretty young nurse, just separated from her husband, begins work at the hospital, she senses that Patrick is communicating with her, and he seems to be using his psychic powers to manipulate events in her life.

When an amusement park is built on the grounds of an old cemetery, the dead rise to take revenge.

After losing his partner in a blazing gunfight, Australian renegade supercop Lieutenant Jangles goes on an explosive and blood-soaked mission to avenge his death… And maybe possibly also save Brisbane City from a sinister conspiracy involving kidnapped beefcakes. And he hangs dong.

A shy young man is irresistible to women.

A free adaptation of the novel History of the Eye, by Georges Bataille, Janaina Leite investigates the relationship between theatre and pornography, a recurring theme in her last shows, in which it is claimed as a scenic art. Hybrid between fiction and non-fiction, Story of the Eye – A Porn-noir Fairy Tale mixes 13 performers, some amateur and sex workers including a porn actor, a camboy, and a camgirl. With the collaboration of erotic film director Lara Duarte and multi-artist André Medeiros Martins, who performs works on art and pornography on different platforms, the play follows the structure of the book to tell, in fairy tale settings, the story of three teenagers in their sexual discoveries. During intermezzo, the audience watches a gig with live music and performances. Between the blatant theatricality and the explicit of pornography, the show recreates this fable noir among the vulgar and the sublime, mundane and cosmic, ordinary and abyssal.

A young alcoholic woman agrees to attend an AA meeting with her partner. When she unexpectedly runs into her estranged mother, she's forced to confront demons from her past.

29-year-old Satonaka Takashi (Kudo Kankuro) is a freelancer. He falls in love at first sight with Satoru Nobunaga (Shiho Takano), who was a nurse at his previous hospitalization. He half stalks her and ends up working at the "Time Machine" restaurant in Tokyo Patio, an apartment complex for the elderly in Asakusa. On his first day of work, Takashi is approached at the entrance by a strange old man (Kunie Tanaka). However, he is told that the old man, Fujiwara Fujiro, is already dead. Fujiro, unable to give up his feelings for Chidori Kanzaki (Yoko Tsukasa), whom he loved before her death, possesses Takashi and uses his body to fulfill his feelings for her. Possessed by Fujirou, Takashi tries somehow to get rid of the spirit, but without success. However, when Fujirou discovers his feelings for Saiya, Takashi is helped by Fujirou, who has a wealth of knowledge and experience due to his age, and finally decides to allow Saiya to live with him in his body...

18-year-old Yeong-seon lives in a residential facility for teenagers. She tries to leave the place and stands on her own two feet, although a social worker advises her to stay a little longer. On her birthdays, Yeong-seon meets with her mother. On one of these occasions, her mother delivers the unexpected news of her pregnancy.

Adaptation of the 1925 novel by F. Scott Fitzgerald for "Playhouse 90." A Midwesterner becomes fascinated with his wealthy neighbor, who obsesses over his lost love.