Tarima

Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich. Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”

Félix finds a young man lying unconscious on the beach, he has scales on his back. Félix takes him home and takes care of him.

North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.

A doctor is wrongly convicted of murder and sent to prison.

Mick and Kev, teen Irish lads, are at the shore, throwing rocks at empty cans, drinking cider. Mick's the pushy one, engaging Kev in a game of mumbly peg, his hand on top of Kev's, fingers splayed. As Mick moves the knife between their fingers, a train is heard approaching. What's Mick's purpose?

A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.

Based on the short story of the same name by Miguel Barnet, in which Fatima - the Queen of the night, a young homosexual and transvestite, who is a prostitute to earn a living, and to maintain economically to the man whom he loves. While facing all the complexities arising from their decisions. Born in the provinces as Manuel García, nicknamed Manolito, to whom the Virgin of Fátima appeared as a child moves to the capital Havana where he meets and falls in love with Vaselina, who encourages him to cross-dress and start a new life in the world of entertainment and prostitution.

Sean is taken to a motel and is given a prostitute for his 18th birthday by his father. He must sleep with her to "fix" his questionable homosexuality. "Pretty Boy" is a coming of age story of a young bullied teen, Sean, struggling with his sexuality and the hardships of high school. After his father finds some questionable magazines in his room, this devout Christian will go to any lengths to get his son to find the light and "perform" the way a man should. Sean is introduced to Katie, a prostitute that understands the stigmas of modern society and helps him see the true light that is within him.

Kai wants to become a pastor, following his father's footsteps, which causes a misunderstanding between Kai and his closeted boyfriend Jay. On the other hand, Jay is thinking about going abroad for his training in the soccer team. They find themselves struggling with each other's choice.

A hardened crook behind bars comes up against a reform-minded warden.

A crusading psychiatrist battles a sadistic female warden to improve conditions at a women's prison.