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"I'm starting to hate politics, because it's becoming the opposite of justice, because it betrays the word with the slogan. To be an intellectual means to be just, to summon up an understanding for one's counterpart and adversaries." Stefan Zweig, a brilliant and poetic writer, was exiled from Germany because he was Jewish. He spent his exile trying to navigate the labyrinth between politics and justice. That journey crushed him. How ironic that, at the time I watch this film, the USA is on same cusp as that of 1930s Germany. On the verge of potentially electing an authoritarian racist egomaniac that will tear down the republic that has served the country for 200 years.
Jack, a celebrated screenwriter, finds his world shaken when he encounters a cutting-edge AI scriptwriting system. Initially skeptical, he soon realises the AI not only matches his skills, but even surpasses him in empathy and understanding of human emotions. Torn between his pride and fear of obsolescence, Jack is offered a chance to write a film solely with the AI.
He is the talk of the town, the most romantic figure of decadent Parisian nights. When his lungs start bleeding, Chopin knows his days are numbered. Composing becomes his only obsession. The ticking clock rushes him to revolutionize music.
A woman who desperately wants a baby asks a girl who is considering abortion to give her the baby instead. The two arrive at an isolated vacation home to spend time in seclusion until the girl gives birth to a baby, but they unexpectedly encounter a mysterious young painter and some criminal hunters.
A man becomes lured into a fictional game his ex-girlfriend has initiated. Sexually ensnared by her, and now realizing the fragility of the border between the real and the imagined, he begins to unravel. He convinces himself that if he can only write an ending to his life story, he can regain control of his life. But playing with fiction is not an innocent game…
Two girls clean places after somebody dies there. Sometimes they sell the belongings of the dead at a flea market. When they meet an odd guy who has a passion for boxes, a strange game unfolds. An unconventional love story about the oddity of ordinary things. Eccentric and natural at once.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
A woman named Kit moves back to her parent's house, where she receives a mysterious invitation that would fulfill her childhood dreams.
Difficult times and persecution in Mexico during the Cristero Rebellion. The life of young Jose Sanchez del Rio, who became a martyr and a saint.
1930s, in the highlands of Jalisco. Emilia, a teenager, silently lives her sexual awakening with her adopted siblings, Caro and Martín. In search of her freedom, she flees into the bush where she poses as a young muleteer to survive among the living and the dying, among guards and deserters, unaware that Martín is stalking her. Emilia's path will lead her back to the ranch to defy her destiny and escape with Caro.
An aesthetic and politic portrait of Mexico ́s 90s decade through the biography of artist Rita Guerrero (1964-2011), who developed in different fields, mostly music and theater. She was the vocalist of Santa Sabina, a rock band in which she was the most remarkable figure. She committed herself to different social movements such as the Zapatista Army Movement (EZLN) and the Electoral Left. She died at 46 from breast cancer. Her voice and music left a mark on a generation.
Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife