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Having tried to break free of his image with Brahman and Thaarai Thappatai and not really succeeding in it, Sasikumar has gone back to his tried and tested formula of family feud, sentiments, romance, revenge and message. The only difference here is that instead of friendship, it is brotherly love that drives the hero's actions. This doesn't mean the film is disappointing; it is actually engaging. The film begins in the past when a man commits suicide because he has lost an election to Rajamanickam (Prabhu, whose understated performance adds dignity to this character), his wife Kayavarnam's (Viji Chandrasekhar) half-brother. In the present, Vetrivel, a happy-go-lucky guy, is wooing Janani, who works in an agri college. His brother in love with Rajamanickam's daughter, and when Rajamanickam disagrees to the match, they decide to kidnap the girl. But things get screwed up when the wrong girl is kidnapped. And it happens to be Latha (Nikhila), who is betrothed to Arul, the son of Kayavarnam! Debutant director Vasanthamani confidently spins his yarn and this helps the film and prevents it from turning into a routine rural fare. In the filmography of Sasikumar, it should rank alongside Sundarapandian or just a notch below it. The actor is playing the quintessential Sasikumar role here — an intrepid do-gooder — but the Vasanthamani's writing of this character helps him overcome his limited range of expressions. Interestingly, in the credits, his name appears after all the other cast members, even though he is the film's hero! Every character is well fleshed out, and it is quite interesting to see how situations keep getting out of the characters' hands even when their intentions are good. The scenes between Prabhu and Ilavarasu, who plays Sasikumar's father, are superbly written and the level-headed nature of these characters makes for a nice contrast with the hot-headed attitude of the youngsters. The director also finds a smart way to integrate this plot with Naadodigal, and it is a pleasant surprise when that happens. There is also enjoyable comedy in the form a running gag that involves Thambi Ramaiah's uneventful married life. But after a point, things get predictable to an extent that we are able to see the twists coming — like the fate of Vetrivel's relationship with Janani, a match being fixed between Arul and Rajamanickam's daughter, Arul's offer to help the girl and so on. We keep wishing that Vasanthamani had thought out scenarios that aren't resolved simply by the battered hero taking on the villains in a fresh burst of fury. This is why, once the film ends, we cannot ignore the niggling feeling of having succumbed to a well-calculated formula.
When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
When his only friend dies, a man born with dwarfism moves to rural New Jersey to live a life of solitude, only to meet a chatty hot dog vendor and a woman dealing with her own personal loss.
On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.
Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.
When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
Struggling to survive on the margins of society, two outcasts manage to build a beautiful friendship as they face loss and hardship.
Four middle school students, Kota, Daichi, Naoki, and Kento, haven't found their place at home or school, so they gather in a vacant lot by the sea absorbed in their favorite music and dance. It's the place where they can be their honest selves. Unfortunately, their friendship dissolves trivially. It has the potential to be revived as they honor their promise to one another when they participate in dance competitions.
The students of a local school unite in mutiny against their headmaster and two teachers.
Daniel LaRusso moves to Los Angeles with his mother, Lucille, and soon strikes up a relationship with Ali. He quickly finds himself the target of bullying by a group of high school students, led by Ali's ex-boyfriend Johnny, who study karate at the Cobra Kai dojo under ruthless sensei, John Kreese. Fortunately, Daniel befriends Mr. Miyagi, an unassuming repairman who just happens to be a martial arts master himself. Miyagi takes Daniel under his wing, training him in a more compassionate form of karate for self-defense and, later, preparing him to compete against the brutal Cobra Kai.
Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.
Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.