War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Love Hurts 2025 - Movies (Mar 27th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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Mufasa The Lion King 2024 - Movies (Mar 25th)
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How do you introduce an incestuous romantic comedy, an action thriller with a twist, a ghost comedy, and a tale within a tale? Aviyal answers it with Shameer Sultan's wacky prelude that has an actor talking. It is only when it ends that we realise that he has been preparing us for what is to follow. Sruthi Bedam has a storyline that if attempted in a mainstream film today will have one organisation or the other protesting. A young man is attracted to the guest who has come to his home. She is a looker and is only a year older to him, though there is a hitch — she is his chithi (aunt)! Director Mohit Mehra treats this Balachander-ish plot as a comedy. There is a friend character, who advices the hero how wooing the woman is wrong even as he subtly eggs on the smitten guy with voyeuristic delight. The way Mehra keeps us guessing about the motives of woman adds to the suspense. In Lokesh Kanakaraj's Kalam, a filmmaker and his friends go after a pickpocket and his cronies, who have stolen from them a CD and pen drive containing their short film. What starts off as a low-key thriller turns into an action film (with the action being choreographed against an Aiyappa song!). There is a twist as well, and it is pulled off commendably. Two friends go on a trip to Rameswaram with the ashes of their dead friend. That is the premise of Kanneer Anjali, which is somewhat a rambling film, with hot-or-miss humour. The tale takes a turn when the duo (or, should we say trio?) gets acquainted with a drug smuggler en route, but Guru Smaran's film lacks the tautness of the other films. The acting, too, feels amateurish. But the anthology ends on a high with Alphonse Putharen's Eli, which seems to have been made prior to his Neram days. Bobby Simhaa and Nivin Pauly play the leads here as well, and even their appearances are similar to what was in that film. A gangster narrates a story and we get the actions that happen in both these stories, interrupted often by the noise from a (unseen) couple's lovemaking. It is visually splendid and shows why Putharen has come to be one of the most exciting filmmakers today. Plot-wise, the shorts in Aviyal are streets ahead of those that formed the first edition, Bench Talkies. They are daring, wacky and fresh. A couple of these films even manage to transcend the made-for-TV visual style of shorts. It will be interesting to see what Karthik Subbaraj (who is one the project's backers) and co serve us next.
Aliens invade an aerobics class before the credits roll in this horror anthology spoof illustrating outrageous stories that could easily be found in a tabloid newspaper at your local grocery store checkout! The stories are: Baby Born With Full Beard, BBQ Of The Dead, and Killer Vacuum Destroys Town
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
Three short stories linked by a stray cat that roams from one tale to the next, in this creepy triptych that begins as Dick tries to quit smoking by any means necessary. Next, we meet Johnny, an adulterous man who's forced by his lover's husband onto a building's hazardous ledge. Finally, Amanda is threatened by an evil gnome who throws suspicion on the family cat.
The second collection of this hot boys shorts series takes us deep into hidden psyches, revelations of long-held secrets, to boys boarding school for the birth of a love affair, inside an explosive internet encounter, and at the center of a teen party where infatuations quickly turn lives upside down. Includes: Beyond Plain Sight (2014); Like Father (2017); Lost Years (2016); Salt [Sal.] (2016); Sign (2016); Turn It Around (2017).
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.
Released to theaters in 1974, this collection of vintage Columbia short subjects included: "Yes, We Have No Bonanza" with The Three Stooges; "Violent Is the Word for Curly" with The Three Stooges; "You Nazty Spy!" with The Three Stooges (replaced by "Men in Black" for the nontheatrical reissue); "Nothing But Pleasure" with Buster Keaton; "Strife of the Party" with Vera Vague; Chapter 1 of the 1943 "Batman" serial with Lewis Wilson and Douglas Croft; and "America Sings with Kate Smith."
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.
»When an old TV set mysteriously turns on, babysitter Cassie is treated to a series of tales full of curses, creatures, and stalkers, presented by an enigmatic host known only as The Viewer.