Je suis une belle salope

A young artist lives with his father, a radical friend and music loving young woman. His father dies, the radical friend leaves him and the woman is taken away by her family to another city.

A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.

A singer goes to a small town for a performance before he is drafted.

An acerbic critic wreaks havoc when a hip injury forces him to move in indefinitely with a Midwestern family.

In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.

Tracey Lawrence is assautled in her home and is so affected by the traumatic event she now finds all men totally repulsive, including her husband. Her attitude does not change with time, and to make matters worse her husband has got romantically involved with his secretary. Also, the police still have not tracked down Tracey's attacker and there is no guarantee that she is safe.

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to ... lovers?

Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Masterson, who asserts that the apartment is hers - and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.

Contemplative and almost without dialogues, the film shows the routine of inhabitants in a city: a young woman who lives alone; an eldery that lives in the street, next to the river; a police officer; customers in a bar; two students. Little by little, through flashbacks, the plot connects these characters.

The story of four young people, ShinAe Ahn who is transgender, and three others, pan-sexual, gay, and lesbian respectively, who are fed up with the oppressive and authoritarian conservative government and its influence on the country. ShinAe Ahn decides to run for the office of prime minister, with the help of her friends and supporters. She meets a lot of caring people, and also a lot of haters. The current Prime Minister is not at all tolerant of the LGBTQIA+ community and is trying his hardest to stop any party that does not follow the orders of the conservative government from running without any logical reason to do so. That creates a political divide within the country, as politicians will attack anyone who is and/or who acts differently, or who stands up for people/themselves who they personally don't like. This story however is being told after the fact, a few years after the election, when ShinAe won as prime minister.

Hyman Goldberger, the president of film studio Super-Colossal Pictures, is in trouble-his major backer is threatening to stop financing his pictures. He finds a group of six wealthy individuals who may want to become investors in the studio if his disgruntled backer pulls out. Unfortunately, his bumbling runner Albert picks that day to invite six of his street musician friends to be in the film that is currently shooting at the studio, and Hyman mistakes them for the potential investors. Complications ensue.