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Chris Jansing Reports - (Mar 26th)
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Gabriel Pascal and (George) Bernard Shaw have reunited for this enjoyably paced, quirky and characterful adaptation of his 1905 play. That creation uses chocolate, this one replaces it with arms as the eponymous, upright and virtuous character - Wendy Hiller - re-evaluates her leading light position in the Salvation Army when their General (Dame Sybil Thorndike) agrees to accept two huge donations - one from a recently ennobled brewing magnate, the other from her father "Andrew Undershaft" (Robert Morley) - the aforementioned, billionaire arms dealer. It's oft described as a comedy, this - and there are certainly comedic elements to it, especially from Morley and her academic suitor Rex Harrison ("Adolphus Cusins"), but is largely presented more of a question to us, the audience. It challenges us to assess which is (or might be) the more important influence: religion or money; prosperity or integrity. Are they mutually exclusive? Perhaps it is a rather simplistic choice, but Shaw offers us scenarios ably illustrating the opportunity and hypocrisy that we may appreciate both the emotional and practical quandaries of "Maj. Barbara" as her resistance to her father's mercenary existence is tempered with his argument justifying his wealth, and his power. Morley is super - his delivery potently justifies his position to the point where it seems irrational to doubt it! The staging is a little too fixed. Though there are a few outdoor scenes, the vast majority appears overly hemmed in. The brewery lights flashing on and off; the scenes in their shelter, and at their home - all are just a bit linear. The pretty lively scenes with an on-form Robert Newton (the down-to-earth, working-class pragmatist "Billy") come across as just a bit too stifled - the flow is almost staccato at times. With the likes of Ronald Neame, David Lean, Charles Frend and Vincent Korda helping out behind the camera, it was always going to be a well made film, and indeed it is. A social commentary that pitches avarice against principle - and one that leaves us to decide... Good stuff.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.
When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
A complicated adventure involving twin brothers and the Foreign Office trying to thwart the ambitions of a hostile sheikh.
The adventures of a young shopgirl who learns that having money is not the key to happiness.
Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.
José is a forty-something guy who finally manages to make his dream come true of owning a bar. For the opening night, he invites his best friends from the high school: Tania, the most popular girl of the classroom who now works as an influencer on the Internet and actress in musical plays; Ismael, an unstoppable loudmouth and womanizer who is convinced to be eternal young and the king of the hill; Quique, a naive man with obesity troubles married to Sofía, his lifelong love interest from the high school; and Manolo, the smart and streetwise boy who was the heart of the bunch. However, Quique and Sofía have troubles in their marriage after the suspicion that Quique was unfaithful to her; Ismael struggles his feelings about Tania against his fear of opening his heart to a woman; and Manolo reveals herself as transgender Lola.
An Iowa pajama factory worker falls in love with an affable superintendent who had been hired by the factory's boss to help oppose the workers' demand for a pay raise.
