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Freeeeeeeeeeeeeeeeeeeeeeeee me! Can't you hear that's what I say. John McVicar is a tough uncompromising armed robber, after being sent to a maximum security prison for 23 years he dreams of escaping every day. As his reputation grows and friendships are formed, it would appear that his friend Wally Probyn may have figured a way out of this tough rigid prison. In 1979 America had The Warriors and The Wanderers, at pretty much the same time us British had Quadrophenia and McVicar to hold dear to our hearts, both films produced out of The Who Films Ltd, both films eminently quotable to a certain age group that were of the teenage persuasion. I love McVicar, I really do, based on the true life story of McVicar, well from his own accounts written in his book, "McVicar by Himself", the film boasts a Who soundtrack and a script that positively sparkles with wit and anger speak. Yes the charges of the film making hardened criminals seem likable characters is a fair one, but not only does the film show the disgust (and rightly outright hatred) for sex offenders, it also showcases just what a hard job the prison officers have, this is something that many of the user comment writers on line have failed to acknowledge. Roger Daltrey takes on the role of McVicar and dons a career best, gruff, perfectly in shape and a wide boy arrogance that comes off as gold dust in this particular piece. Backing him up is wonderful turns from Brian Hall (comic gold), Steven Berkoff (clearly enjoying himself), Matthew Scurfield (frighteningly unnerving) and Peter Jonfield. Once the escape happens the film switches in tone as McVicar tries to make some sense of his life, it's an emotional switch that tones the film down but never the less takes us successfully to the highly accomplished finale. We are then left with a wonderful quote from John McVicar himself and we are told just what this tough as nails armed robber actually did with himself from that point on. Perhaps it's because I was a teenager when the film came out, that I love it so much? Or maybe the script just appeals to me on a very primal level? Either way I'm always going to be a fan of it, and McVicar remains to me, along with Quadrophenia and Scum, British standards to revisit every single year. I don't care how late it is I'm not going home 8/10
After the sudden death of her mother, Aurore Gagnon is abused by her disturbed step-mother as her town remains in the silence followed by her death. Based on a true story.
Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer.
A rebellious youth, sentenced to a boy’s reformatory for robbing a bakery, rises through the ranks of the institution by impressing its Governor through his prowess as a long distance runner. He is encouraged to compete in an upcoming race, but faces ridicule from his peers.
When a humorous script-reader in her New York apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.
Bootlegger Ed Carson is sent to prison. His old gang turns from liquor (now legal) to kidnapping. When they nab the son and daughter-in-law of the judge who sent Carson to prison, he is paroled to help in the capture.
With the help of their high school's newest teacher, four Hispanic students form a robotics club. Although they have no experience, the youths set their sights on a national robotics contest. With $800 and parts scavenged from old cars, they build a robot and compete against reigning champion MIT. Along the way, the students learn not only how to build a robot but something far more important: how to forge bonds that will last a lifetime.
Pandy and Retro awaken naked on Earth with no recollection of their past. They embark on a crime spree in search of food and clothing, but are captured by authorities and sent to the infamous lunar penitentiary named Dead Leaves.
17-year-old Sara leads a sheltered existence with her family, members of Jehovah’s Witnesses, when she meets the outsider Teis and falls in love. Sara, herself a believer, now faces an important turning point in her life as she is forced to choose between religion and love.
Set in the early 1960s, the story revolves around high school sweethearts Jonas and Agnete, their friendships and families, trials and tribulations.
