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Freeeeeeeeeeeeeeeeeeeeeeeee me! Can't you hear that's what I say. John McVicar is a tough uncompromising armed robber, after being sent to a maximum security prison for 23 years he dreams of escaping every day. As his reputation grows and friendships are formed, it would appear that his friend Wally Probyn may have figured a way out of this tough rigid prison. In 1979 America had The Warriors and The Wanderers, at pretty much the same time us British had Quadrophenia and McVicar to hold dear to our hearts, both films produced out of The Who Films Ltd, both films eminently quotable to a certain age group that were of the teenage persuasion. I love McVicar, I really do, based on the true life story of McVicar, well from his own accounts written in his book, "McVicar by Himself", the film boasts a Who soundtrack and a script that positively sparkles with wit and anger speak. Yes the charges of the film making hardened criminals seem likable characters is a fair one, but not only does the film show the disgust (and rightly outright hatred) for sex offenders, it also showcases just what a hard job the prison officers have, this is something that many of the user comment writers on line have failed to acknowledge. Roger Daltrey takes on the role of McVicar and dons a career best, gruff, perfectly in shape and a wide boy arrogance that comes off as gold dust in this particular piece. Backing him up is wonderful turns from Brian Hall (comic gold), Steven Berkoff (clearly enjoying himself), Matthew Scurfield (frighteningly unnerving) and Peter Jonfield. Once the escape happens the film switches in tone as McVicar tries to make some sense of his life, it's an emotional switch that tones the film down but never the less takes us successfully to the highly accomplished finale. We are then left with a wonderful quote from John McVicar himself and we are told just what this tough as nails armed robber actually did with himself from that point on. Perhaps it's because I was a teenager when the film came out, that I love it so much? Or maybe the script just appeals to me on a very primal level? Either way I'm always going to be a fan of it, and McVicar remains to me, along with Quadrophenia and Scum, British standards to revisit every single year. I don't care how late it is I'm not going home 8/10
Havana, Cuba, 1990. René González, an airplane pilot, unexpectedly flees the country, leaving behind his wife Olga and his daughter Irma, and begins a new life in Miami, where he becomes a member of an anti-Castro organization.
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
This documentary tells the story of how sleuthing cat owners in Brighton came together to catch an unknown killer who was preying on much-loved pets across the South Coast.
Officer Blanca Bravo arrives in Juarez, Mexico — a grim nexus of corporate colonialism and sexual tourism — to investigate a rash of killings targeting female migrant workers. But with no help from the locals, bringing the responsible parties to justice becomes a frustrating exercise. As Bravo rails against indifference and local corruption, she finds herself on a collision course with Mickey Santos, a Mexican mogul with a taste for young prostitutes.
There's something very odd about Romano, a notorious gangster serving time in the federal pen. For one thing, Romano doesn't sound much like himself. For another, he always seems to be hiding something. Detective Lee suspects that something's amiss, and he's probably right!
Paul Hegstrom is a so-called family man who puts his wife through domestic violence and his children through emotional torture. After leaving his family and almost killing his new girlfriend in one of his rages, Paul is ordered to either seek professional help through an innovative therapy program or go to jail.
Rizwan Khan, a Muslim from the Borivali section of Mumbai, has Asperger's syndrome. He marries a Hindu single mother, Mandira, in San Francisco. After 9/11, Rizwan is detained by authorities at LAX who treat him as a terrorist because of his condition and his race.
In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. O'Neal to look into the case. For some time, O'Neal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.