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I guess I can commend Warner Bros. for attempting to revitalise their Scooby-Doo brand and give parents something to show their kids while they've been stuck at home, but when there's a plethora of new and old (much, much better) kid's films, the best thing would be to Scooby-Dooby-do your kids a favour and skip this one. - Ashley Teresa Read Ashley's full article... https://www.maketheswitch.com.au/article/review-scoob-mystery-swapped-for-money-hungry-mayhem
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I was never the biggest fan of Scooby-Doo's animated cartoon when I was young. I enjoyed it like any other kid who enjoys almost everything, but it was never a show that made me nervously excited during the day, waiting for it to come on TV. I vividly remember getting pumped, knowing that a new episode of Dragon Ball Z or Timon & Pumba would broadcast on that particular day. I never felt that way with Scooby-Doo, and honestly, I don't know why. I was always curious about sci-fi and "what lies beyond", so maybe the fact that the goal of the show was to justify every single paranormal activity with some "guy in a mask" didn't really appeal to the kid in me... Either way, I still liked the series, and my memory is filled with all of the show's classic signatures: the (double or even triple) un-masking of the villains, Scooby jumping to Shaggy's arms because they both got scared, the ridiculously large sandwiches, you name it. Ironically, the biggest compliment I can give the film also relates to its major flaw. For any fan of the show, these classic moments will provide high levels of nostalgia and entertainment, so anyone who comes looking for that will definitely get what they desire. However, even though Scoob! is far from feeling like a corporate flick packed with product placement (looking at you, Sonic the Hedgehog), I can't help but feel that the studio was embarrassed by its own property. They try so hard to make this movie belong to 2020 that they completely forgot about what makes the show special for so many people. From the weirdly confusing song selection to the way too modern plot points, Scoob! 's narrative distinctly follows an Avengers-style plot (including an obvious allusion to Captain America holding his shield) focusing strongly on the superhero theme. They didn't believe that Mystery Inc. and the (successful) formulaic story were enough to hold the target audience's attention, so they decided to borrow from one of the most entertaining and financially impactful genres of today, losing the essence of their own IP. Therefore, despite Scoob! having almost all of the cartoon's classic scenes, it still feels detached from the source material. In addition to this, if you're not a fan of Scooby-Doo and if you don't know anything about it, then don't expect this film to explain anything to you. Fred, Velma, and Daphne get separated from Shaggy and Scooby early on (due to a hilariously dumb scene that only kids will accept), so almost no character development occurs within the first group of people. This movie focuses more on the pair's adventure and their relationship dynamics (which are explored in a cliche yet efficient manner), leaving 3/5 of the Mystery Inc. feeling left off. Actually, now that I think about it, Scoob! doesn't even have a mystery to solve! In the cartoons, every episode is about discovering what or who's causing a specific paranormal event. This film basically follows that formula for the first fifteen minutes (which serve as an origin story of the gang) and then takes an entirely different path story-wise. I'm not going to complain about the plot's absurdity because it's undeniably a kids' movie, but these forced attempts to adapt Scooby-Doo to 2020 are what ruin the whole thing for me. The voice acting is great, though, and hearing Frank Welker interpret Scooby again is incredibly joyful. All in all, Scoob! possesses almost all of the classic moments from the original cartoon, which will surely leave fans of the series satisfied and feeling that heartwarming nostalgia. In addition to this, the voice work is really good for the most part, especially from the legend, Frank Welker as Scooby. However, the studio hurts the film with countless attempts to adapt the formulaic yet successful screenplay that the show employed for decades into 2020. From the superhero-like plot to the lack of a central mystery, Tony Cervone finds himself in a writing mess (four screenwriters and three "story by" credits) from a company ashamed of its own product. If you're a hardcore fan of the animated show, this movie might leave you satisfied. But if you don't share a special connection with these characters and their classic adventures, or if you don't know anything about this franchise at all, Scoob! not only doesn't care to introduce or develop its characters, but it definitely isn't going to convert you. Rating: C-
It was an okay Scooby-Doo movie for the kids. The animation looks great and for the most part the voice talents were good, especially Zac Efron as Fred was great, as were Gina Rodriguez and Amanda Seyfried as Velma and Daphne respectively. However, wasn't that thrilled with Will Forte's Shaggy (still think Matthew Lillard has been perfect thus far, I know they wanted a name, but doubt star power sells movies nowadays). Anyway, it was a serviceable enough animated flick, personally I'm not a fan of the supernatural plots when it comes to the Scooby-Doo franchise, but fine for the family, so long as you're not an entrenched fan, I can see why some may hate this iteration. **3.25/5**
Never my favourites of cartoon characters, this sadly doesn't really do much better than the pretty far-fetched, slapstick, animation series from the 1970s. It starts off by way of an explanation as to how the young "Shaggy" and his eponymous canine pal initially hooked up, before jumping forwards to present day where the two, along with the rest of the "Mystery Inc." gang, must work together to thwart an evil plan to unleash the legendary guardian of the Underworld - a spectral form of Cerberus - on mankind. To be fair, it doesn't hang around and the animation quality keeps the style fairly similar to the original television series; it's just that the writing is really lacklustre and cheesy with the characters - for me, at any rate - just downright irritating, playing to just about every stereotype imaginable. The reveals at the end were always pretty silly, and here is no different - it's all just too lightweight and disappointing. I'd have backed Cerberus any day. Perhaps it is just aiming for a nostalgic audience of adults who recall it more fondly than I do? In any case, I really cannot see this resonating with the kids today and maybe this is one cinema release that lockdown did us all favour by restricting.
When their trip to San Lorenzo takes a turn for the worst, Arnold and his classmate’s only hope of getting home is retracing the dangerous path that led to Arnold's parents' disappearance.
As the holiday season approaches, a group of friends spend the weekend in a house in the country. Among them, Lukas, a young popular singer, comes accompanied by Chloé, his unofficial girlfriend, who will quickly arouse the curiosity of others. The evening is festive, but in the early morning the joy of the friendly reunion will quickly change. The night carries its share of secrets.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
A young girl comes to an embittered town and confronts its attitude with her determination to see the best in life.
A scientist has been attacked and a secret recipe stolen, so a private detective duo is hired to unravel the mystery.
Monochromatic people (known as 'Monos) live in a world where they are unable to see colour and therefore view their surroundings through varying shades of grey, black and white. However, every Mono has a fated person (known as a 'Probe') who is able to trigger their grey-scale world into colour, inducing what is termed a 'Colour Rush'. Yeon Woo is a Mono. He’s aware that other colours do exist but has never experienced them for himself, nor is he interested in doing so. However, Yeon Woo’s life is forever changed when he meets Yoo Han, his Probe, and experiences his first Colour Rush. Terrified that he'll be obsessed with Yoo Han because of Yoo Han's ability to make him see colour, Yeon Woo tries desperately to avoid Yoo Han—but why does Yoo Han insist on drawing close to him?
Sarah and Ayda are two close friends, one of whom was notorious and now they must work together to bring their conditions to normal, but they stand to where for their friendship?
Goro is a sommelier who transforms into the titular Kamen Rider G to fight the former anti-terrorism unit Shade, who captured and brainwashed him into a soldier, before the unit went underground due to the use of kidnapped people as supersoldiers. During a raid at TV Asahi led by Daidō Oda, who demands the release of their imprisoned leader, Seizan Tokugawa, Goro encounters his girlfriend Eri Hinata. She jogs his memory and he attacks his former comrades while getting Eri out of harm's way. This makes Oda reveal his true form as the Phylloxera Worm while his subordinates transform into the Acarina Worm, the Subst Worm, the Brachypelma Worm Viridis, and the Cochlea Worm to attempt to destroy the traitor. After an extended fight across the city and countryside, G manages to defeat Phylloxera Worm thanks to the encouragement of Decade and the other primary Heisei Riders appearing before him. Running off, Goro vows to save the world from Shade before returning to Eri.
The life of a teenage boy is forever altered by a chance encounter with cutting edge military technology.
Tim, a newly trained Elf, wanders off from his people and is captured by the local circus. Saved by young Teresa, together they form an unbreakable bond. But the only way to truly save Tim, will be finding a way to get him back to the other Elves.
When the Hulk's presence on Earth becomes too great a risk, the Illuminati trick him to board a shuttle destined for a planet where he will be able to live in peace, and launch it into space. The Hulk's struggle to escape causes the shuttle to malfunction and crash land on the planet Sakaar, however, where he is sold into slavery and trained as a gladiator.
