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**A violinist meets a dancer: A love story.** That's a freaky poster, but the film was good. You know there are dance flicks even worse than this, especially, it was once a trendy theme, but now nothing impressive. In that perspective, this film was a relief, a decently made film. So dance flick means people expect extraordinary moves and music, but in this, they had kept them simple. They did not press hard on either street dance or the classical dance. It was kind of fusion between them and in addition to that live music like mainly violin. I don't know anybody from the cast or the director, but it does not look like a B movie/indie, because the production quality was excellent. Even the story was somewhat cliché, yet enjoyable, mainly for its around 90 minute narration. I mean being a short and a decent pace with the good performances and musics and dances, this film can be easily become a dance flick of the year. The film is not just for youngsters, but for everyone. The matured contents like maintaining the decency from the dialogues to the pictures, nothing obscene in it. A perfect PG film, the majority would like it or not, but surely will be entertained. Having lots of good quality, I did not like it entirely. In some parts it looked just fake to me like in the real world kind. I would say watch it, but don't expect too much, especially twist or surprises. It's really a nice film. _6/10_
This short film showcases six production numbers from various Warner Bros. musicals.
Gopu kesav menon(Hindu upper cast ) and Bilal (Muslim) travel from south to north and on the way they visit Dineshan’s(scheduled cast) home who is an employee of Gopu. When they reach the home there is some preparations happening for an offering to a nearby temple in the form of a mythical dance form named karinkaliyattam(karie). They hand over some money to Dineshan’s father.The pardox is this money is used to conduct the dance as an offering to goddess to get a permanent visa in Gopu’s firm which Gopu can easily give if he decides.
La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.
An imaginatively choreographed dance interpretation of the ballad by Nina Simone explores four common stereotypes of Black women.
Childhood friends Suresh and Vinnie want to become successful dancers. To fulfill their dreams, they form a dance group with their friends and compete in a hip-hop contest in Las Vegas.
The story of "Chandrettan Evideya" revolves around Chandramohan (Dileep), who is a government servant and also an ardent classical dance follower and his wife Sushama(Anusree) is also a government employee. But the doubting wife keeps track of each and every thing her husband does. Chandramohan is well known among art followers as a good critic of classical dance. His reviews are often published in leading magazines. Considering his close association with beautiful dancers, his wife Sushama keeps close tabs on him by making phone calls every now and then. One fine day, they decide to go for a trip to Thanjavur where they meet an astrologer who tells them certain aspects of Chandramohan's previous life, which forms the crux of the story.
Mitzi Gaynor welcomes guests George Hamilton & Phil Harris (The Jungle Book) for a sparkling hour of music, comedy and dance. Songs performed include "Everybody Loves My Baby," "Gentle on My Mind," "Pretty," and "Love Is Blue." Mitzi & George parody classic movies on the late-late show, George playing Cary Grant to Mitzi's Rosalind Russell, Rock Hudson to her Doris Day, and Glenn Ford to her Rita Hayworth.
Mitzi Gaynor opens her second special with a dazzling performance of "Let Go." Additional songs include "Poor Papa," and "What'll I Do." She welcomes guest star Ross Martin (The Wild, Wild, West) for a musical-comedy spoof of Gone with the Wind. Other comedy skits include Mitzi as "The Kid" describing a school recital, and as a Hungarian Gypsy performing "Those Were the Days."
Video director Jerome Cornuau made his feature-film debut with this showbiz-themed French film. Young Alice (Ambre Boukebza) hitchhikes into the city to seek out her music-executive dad (Bernard Le Coq) but instead becomes friends with a singing star (Ophelie Winter, portraying herself), learns dancing from African trashman Rudy (Ashanti), polishes her singing skills with an assist from vocalist Nathalie (Lea Drucker), and is romanced by producer Jeremy (Patrick Forster-Delmas).