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Not even the voice acting could save this movie. Check out my full review here. http://www.hweird1reviews.com/allreviews/the-killing-joke-movie-review
Shares the few weaknesses of the short comic it is based on, but adds a bunch of its own new weaknesses to try and get it up to a theatrical runtime and justify its cinema release. I think part of the reason the reception for _The Killing Joke_ has been so overwhelmingly negative is that the expectations were so high going in. But that wasn't without cause. It sees the long awaited return of both Kevin Conroy and Mark Hamill to their famed DC roles, and the comic it's based on is widely regarded as one of the better stories ever published by the company. And of these lofty expectations, _The Killing Joke_ falls short. Hamill is great, and Kevin Conroy usually is as well. There are a couple of occasions that the latter slipped though. I don't know if he's rusty or just didn't care, but his voice performance is not 100%. The story essentially meets that of its source material, but rather than expand the existing story, they chose to awkwardly force an entirely different one in beforehand, to the point that this is essentially two episodes of two different shows, rather than a single cohesive movie. _The Killing Joke_ is a little gross and is not the return to form for DC Animation that we all had hoped it would be, but the final sequence is fantastic and I don't know that the movie overall deserves quite as much vitriol as it has had. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The first 30 minutes was wasted with Barbara being so annoying! I just didn't see why that whole bit was thrown in when the movie itself is meant to center on the Joker. Even with Mark Hamill's final bow out as the iconic villain couldn't save the film. Still, at least that joke at the end was a little amusing! Other than that, they could've done better with the story.
OK, so I'll admit I was expecting something closer to the graphic novel, and I was pretty disappointed that it only really loosely followed something that was epicly brilliant as the comic. However, I'm not a stickler for total accuracy. And, really it is better than most of the other Batman movies, it does manage to tell a good story and reveal some of the Joker's ever-changing and never consistent backstory, even if it does gloss over a lot of it. In the end, especially in this current era it's a reminder of how great comic books used to be and how great they could be again if they only started telling actual stories once more.
_The Killing Joke_ deserved a better adaptation. Not even that. Just re-edit this to cut out the first half and you have a perfect adaptation. This is one of my favorite Batman stories ever. Unfortunately, the first part is spent irrelevantly on Barbara, and has largely nothing to do with the rest of the movie. However, after about a half hour of filler, the ACTUAL adaptation of _The Killing Joke_ is awesome. Kevin Conroy and Mark Hamill deliver another classic performance of Batman and Joker. Half of this movie I despise and half of this I love. 5/10
After a powerful billionaire is murdered, his secret adoptive son must race to prove his legitimacy, find his father's killers and stop them from taking over his financial empire.
Four stoners, five vegans, three mobsters, four hunters and a million reasons to free one junkie elephant.
An animated retelling set to Prokofiev's suite. Peter is a slight lad, solitary, locked out of the woods by his protective grandfather
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
In a world in which Great Britain has become a fascist state, a masked vigilante known only as “V” conducts guerrilla warfare against the oppressive British government. When V rescues a young woman from the secret police, he finds in her an ally with whom he can continue his fight to free the people of Britain.
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
Alex the lion is the king of the urban jungle, the main attraction at New York's Central Park Zoo. He and his best friends—Marty the zebra, Melman the giraffe and Gloria the hippo—have spent their whole lives in blissful captivity before an admiring public and with regular meals provided for them. Not content to leave well enough alone, Marty lets his curiosity get the better of him and makes his escape—with the help of some prodigious penguins—to explore the world.
The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.