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Cabrini 2024 - ()
Finding Tony 2024 - ()
Gladiator II 2024 - ()
Bookworm 2024 - ()
Captain America Brave New World 2025 - ()
Kraven the Hunter 2024 - ()
Den of Thieves 2 Pantera 2025 - ()
Red One 2024 - ()
Heretic 2024 - ()
Hellboy The Crooked Man 2024 - ()
Eric Clapton Unplugged… Over 30 Years Later 2025 - ()
Matthew Perry A Hollywood Tragedy 2025 - ()
Take That This Life – Live In Concert 2024 - ()
Cellphone 2024 - ()
Into the Deep 2025 - ()
Sisterhood Inc. 2025 - ()
Bottom Feeders 2024 - ()
Veselka The Rainbow on the Corner at the Center of the World 2024 - ()
Monster Mash 2024 - ()
Azrael 2024 - ()
An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
Figaro and his betrothed Susanna are preparing for their wedding day. The Count, Figaro's master, has plans to use his ancient right to sleep with Susanna on their wedding night. The couple and the Countess plot to keep the Count at bay.
Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.
Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.
Met performances of Strauss’s white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe’s leading opera directors, gives the biblical story—already filtered through the beautiful and strange imagination of Oscar Wilde’s play—a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light.
The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.