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November 30, 1996 | 11:00PM PT Emanuel Levy Baillie Walsh’s “Mirror, Mirror” is a grimly disturbing documentary that probes the life of Consuela Cosmetic, a black transsexual who died of AIDS in March l996, during the film’s post-production. Offering an uncompromisingly candid look, docu demystifies such relevant issues as gender, sex and daily survival as they pertain to a “deviant” minority that’s often misunderstood and misrepresented in the media. Though laced with humor, overall downbeat tone, along with a gruesome onscreen operation of breast removal, might restrict theatrical potential, but docu should be shown in festivals and other venues open to challenging nonfiction fare. Born in l958, as Floyd William Bradford, Consuela Cosmetic was a fair-skinned black male who devoted virtually his entire lifetime to altering his physical appearance through female hormone therapy, silicone injection, plastic surgery — and whatever else it took to create the credible illusion of a female. But Consuela never took the crucial final step of gender-changing surgery; for most of his life, he functioned as a person with both breasts and penis. In fact, advertising his unique attributes, he managed to make a decent living as a nightclub performer and an aggressive hustler; many men were reportedly intrigued by his peculiar combination of biological traits. Among docu’s most harrowing sequences are Consuela’s comments on how AIDS has not only ravaged his peers, but also destroyed the notion of self-worth and other values associated with transsexualism. The central figure comes across as a sensitive and witty person whose chief concern was to live with dignity and at peace with himself. Helmer Walsh, who has directed some impressive musicvideos, keeps his subject on a tight rein, never letting him digress from his focused concern, even when the remarks are entertaining in their own right. Consuela’s contributions while at his best — and worst — add considerable energy and humor to the film’s intimate, often moving portrait. In large sections, Consuela, too weak to walk around, is seen lying in his bed. “Mirror, Mirror” doesn’t provide the light, entertaining look at drag queens and transsexuals that prevails in such movies as “The Adventures of Priscilla, Queen of the Desert” and “To Wong Foo,” but it’s far more substantial, and often quite illuminating, in its observations about the day-to-day reality of a minority still misperceived by mainstream society.
Tribute to actor and director John Cassavetes who died in February 1989. Friends, associates and fellow directors remember the man and his work.
A behind-the-scenes look inside the case to overturn California's ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.
Thursday 27th of October 2016 – Teatro Espace, Turin. Mulatu Astatke is a musician, composer, arranger and Ethiopia’s cultural ambassador. He’s known as the godfather of ethiojazz, a unique blend of jazz, traditional Ethiopian music, latin, caribbean reggae and afrofunk. Born in 1943 in Jimma, Mulatu studied music not only in Ethiopia but also in UK and USA. In 2005 he contributed to the soundtrack of Jim Jarmusch’s film “Broken Flowers”, reaching a new public worldwide.
James Wong and his female assistant visited various kinds of pleasure-houses, including invisible dens, high-tech private dens, smuggling blackpoints and famouse tryst places, both large and small ones, throughout Hong Kong. They also looked back to the Scientific Beauty in Lai Chi Kok Amusement Park, striptease in the Kowloon Walled City and the old stories in fish-ball stalls. There are also interviews of call-girls and grooms.
The time was 1938. The place, Hollywood. This is the story of one of the 456 films made that year, how it was made, and why it has endured.
Documentary about the night when Pier Paolo Pasolini died, trying to clarify what really happened back then.
Gender Me is a road movie about Mansour’s voyage into the world of Islam. It is a personal odyssey through a world of taboos, filled with contradictory images. He explores questions regarding faith and gender in Islam with a special focus on the unusual stories of Muslim gays. Mansour is a homosexual Iranian refugee who has been living in Oslo for the past 18 years where he works as a pharmacist. Now he wants to travel back to Istanbul, where he lived for two years before he was granted asylum in Norway.
Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.
In response to a wave of discriminatory anti-LGBTQ laws and the divisive 2016 election, the San Francisco Gay Men's Chorus embarks on a tour of the American Deep South.
Best friends Jack and Yaya celebrate their 30th year of friendship in their hometown in South Jersey alongside a motley crew of extended family and neighbors. While they party and reminisce, Jack and Yaya support each other as they both fight for acceptance as openly trans people.
The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration...and friendship.