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November 30, 1996 | 11:00PM PT Emanuel Levy Baillie Walsh’s “Mirror, Mirror” is a grimly disturbing documentary that probes the life of Consuela Cosmetic, a black transsexual who died of AIDS in March l996, during the film’s post-production. Offering an uncompromisingly candid look, docu demystifies such relevant issues as gender, sex and daily survival as they pertain to a “deviant” minority that’s often misunderstood and misrepresented in the media. Though laced with humor, overall downbeat tone, along with a gruesome onscreen operation of breast removal, might restrict theatrical potential, but docu should be shown in festivals and other venues open to challenging nonfiction fare. Born in l958, as Floyd William Bradford, Consuela Cosmetic was a fair-skinned black male who devoted virtually his entire lifetime to altering his physical appearance through female hormone therapy, silicone injection, plastic surgery — and whatever else it took to create the credible illusion of a female. But Consuela never took the crucial final step of gender-changing surgery; for most of his life, he functioned as a person with both breasts and penis. In fact, advertising his unique attributes, he managed to make a decent living as a nightclub performer and an aggressive hustler; many men were reportedly intrigued by his peculiar combination of biological traits. Among docu’s most harrowing sequences are Consuela’s comments on how AIDS has not only ravaged his peers, but also destroyed the notion of self-worth and other values associated with transsexualism. The central figure comes across as a sensitive and witty person whose chief concern was to live with dignity and at peace with himself. Helmer Walsh, who has directed some impressive musicvideos, keeps his subject on a tight rein, never letting him digress from his focused concern, even when the remarks are entertaining in their own right. Consuela’s contributions while at his best — and worst — add considerable energy and humor to the film’s intimate, often moving portrait. In large sections, Consuela, too weak to walk around, is seen lying in his bed. “Mirror, Mirror” doesn’t provide the light, entertaining look at drag queens and transsexuals that prevails in such movies as “The Adventures of Priscilla, Queen of the Desert” and “To Wong Foo,” but it’s far more substantial, and often quite illuminating, in its observations about the day-to-day reality of a minority still misperceived by mainstream society.
Renowned Haida artist Bill Reid shares his thoughts on artistry, activism and his deep affection for his homeland in this heartwarming tribute from Alanis Obomsawin to her friend's life, legacy and roots.
Using cutting-edge scanning technology and state-of-the-art CGI, a team of experts creates the first high-resolution 3D digital twin of the Titanic wreck. Through a groundbreaking immersive investigation, they uncover the ship’s final moments, shedding light on the acts of heroism and cowardice aboard—and revealing the true story behind the sinking of the “unsinkable” ship.
A powerful documentary about the lives of teens and young adults as seen through the gender lens. Approaching society's ideas and ideals of gender through clothes, sexuality, sports, dance, safety, consumerism and emotion, the film addresses the complexities of conceptions of masculinity and femininity for Generation Z.
Aussie boys of Asian descent candidly discuss their status as a "minority within a minority".
Every weekend, the gay male choir G-Voice rehearses in Seoul. The choir, being a kind of antidote to homophobic Korean society, makes the everyday lives of gay men its theme in an intelligent and humorous way. For their tenth anniversary, the members are planning to give their first big concert with ambitious arrangements, creative choreographies and many new pieces. Besides preparing for their big day, G-Voice are also politically active, singing for equality and against discrimination.
The film features exclusive footage of the dancers from the series "The Next Step", as they prepared for their first-ever tour in Canada. Also includes live performances and exclusive interviews with cast members.
Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.
Absolute pleasure as an identity. Alfonso de Sierra, Luis Escribano, Ramón Massa, Ces Martí and Enric Bents were “Els 5 QKs”, a group of amateur filmmakers who, in 1975, decided to get together and create a transgressive and courageous filmography breaking social, religious, and political boundaries; placing the faggot as leading role hero: proud of himself, shameless, beyond good and evil. In this documentary film, Luis Escribano and Ces Martí, only living members of the group, review, alongside some actors, their creative process and what those films, forgotten till now, meant to Barcelona during La Trancisión.
Eulália, a conservative Portuguese mother, found out that her son who emigrated to Germany has become Fostter Riviera, the internationally awarded first Portuguese gay porn actor. She suffers with the distance, sometimes toned down through the computer that has become her main source of information and communication with her son. This documentary focuses on the long journey of this mother towards acceptance and endeavour to get closer to her son.