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The Abominable Snowman Tom Friend is about to embark on a life changing expedition, his aim? To find the fabled creature known as the Yeti, or Abominable Snowman. Joining him on the trip is botanist John Rollason, whose scientific interest is totally at odds with Friend and his trapper companion, Ed Shelley. As the expedition moves deeper into the Himalayas, bad luck and differences of opinions dog the party, and as the confrontations draw closer it becomes apparent that the Yeti is not a dumb animal to be killed or captured. Adapted by Nigel Kneale from his own BBC play, "The Creature", The Abominable Snowman is one of the finest early offerings from Hammer Studios. The long running (to this day) stories of a giant beast living up in the Himalayas is of course interesting stuff, much like Nesse up in her Loch, it seems their worth will never ever fade. Thankfully there is a ream of intelligence in this picture, forgoing out and out shocks in the name of horror, director Val Guest has treated Kneale's story with the utmost respect. This is more of a character story as regards men with different ideals on a supposed legend, we barely see the creature until the wonderful last quarter, we don't need to because there are other creatures on this expedition, it's very adroit and accomplished in its telling. The cast do not let the material down, Hammer stalwart Peter Cushing takes the role of Rollason, Forrest Tucker ("Sands Of Iwo Jima") is Friend, Robert Brown ("The Masque of the Red Death") is Shelley and Maureen Connell is wonderful down in the village as Rollason's fraught wife, Helen. Now in this day and age we can get good digital transfers of old black and white classics, and here the Regalscope Widescreen brilliantly captures the snowy landscapes, firmly enhanced by Arthur Grant's gorgeous monochrome photography. So what you waiting for? The technical side is great, the story is of course excellent, all that remains to say is that the ending is perfect and seals the deal. A British treasure. 8/10
This was entertaining to watch, especially it being the first Hammer Horror filmed in black and white. An adventurous expedition turns into a fight for survival, with a horrifying discovery. It's similar to The Thing and Mountains of Madness, but the difference being it is less gruesome than the other two.
Forrest Tucker was drafted in to bring a bit of box office to this actually quite atmospheric tale of an expedition to the heights of the Himalayas where he - "Friend" and scientist "Rollason" (Peter Cushing) encounter the mysticism of the locals and, well slightly more than they bargained for! Clearly nobody set foot outside the studio here, and the confetti sellers must have a field day; but Cushing was always quite good at sustaining these slightly eccentric boffin roles; the rather stilted Tucker does what's required with a rather listless script and Maureen Connell offers just a little more as the leading lady that is oft provided in these adventures. The use of lighting and audio does help create a sense of menace and I did quite like the ending... Cheap and cheerful, yes - but still quite watchable.
The Katakuri family has just opened their guest house in the mountains. Unfortunately their first guest commits suicide and in order to avoid trouble they decide to bury him in the backyard. Things get way more complicated when their second guest, a famous sumo wrestler, dies while having sex with his underage girlfriend and the grave behind the house starts to fill up more and more.
Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.
Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.
When a young woman's boyfriend dies, she slips into grief and begins to believe that his spirit has returned in the form of a menacing skeleton doll.
Upon discovery of a shard of what could be the Loc-Nar, a miner named Tyler becomes possessed with an insatiable hunger for power and a thirst for immortality. On his way to the planet of youth, Tyler wipes out most of a space colony and kidnaps a beautiful young woman. His only mistake is that he doesn't kill her sister, Julie, who then sets out on a mission of rescue and revenge.
Only legendary Japanese garage rock band Guitar Wolf can stand between a race of aliens from destroying earth with an army of zombies.
Police sergeant Neil Howie is called to an island village in search of a missing girl whom the locals claim never existed. Stranger still, however, are the rituals that take place there.
An ancient Egyptian priest named Imhotep is revived when an archaeological expedition finds his mummy and one of the archaeologists accidentally reads an ancient life-giving spell. Imhotep escapes from the field site and searches for the reincarnation of the soul of his lover.
Frederick Loren has invited five strangers to a party of a lifetime. He is offering each of them $10,000 if they can stay the night in a house. But the house is no ordinary house. This house has a reputation for murder. Frederick offers them each a gun for protection. They all arrived in a hearse and will either leave in it $10,000 richer or leave in it dead!
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
