Chalk N Duster

This silent film opens with shots of a hand distributing charity from a silver plate to a waiting crowd and tells of the good king of Magadh's fight with his evil ministers. The king is poisoned by his brother, the evil Kalsen and the infant prince Chandrapratab, smuggled out by the loyal sardar Satyapal, grows up in a forest to become the acrobat Hamir (Hamir) in love with his partner, the beautiful Saranga (Pawar, credited as 'Ambu'). Saranga is kidnapped by Kalsen's son Ramanaraj , described as 'the perfect libertine', but Kalsen takes her away from his son and attempts to seduce Saranga with promises of wealth. The fearless Hamir fights dozens of soldiers, in amateurishly staged fights, trying to liberate her. In the end Saranga, rejected by her lover for having been tempted by Kalsen's promises of wealth, dons a mask and turns into a Zorr-type avenger. Hamir is eventually recognized by the royal tattoo on his shoulder and restored to the throne as well as reunited with Saranga.

At 2:37, someone commits suicide in the school lavatory. The day is told up to that point from the viewpoint of six different students.

A 1986 Bollywood film.

Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.

Schoolteacher Bertram Cates is arrested for teaching his students Darwin's theory of evolution. The case receives national attention and one of the newspaper reporters, E.K. Hornbeck, arranges to bring in renowned defense attorney and atheist Henry Drummond to defend Cates. The prosecutor, Matthew Brady is a former presidential candidate, famous evangelist, and old adversary of Drummond.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

The film is based on story of folklorist Vijadan Detha. Kishnu got married with immensely beautiful women Kajri. Thakur of the village had bad intentions towards Kajri so he asked his special man Bhoja to get Kajri for him but Kajri was very loyal towards her husband and one day she attacked Thakur in her defence. Rather than praising her, Kishnu warns Kajri to not to behave like this with Thakur ever again and this was the heartbreak for Kajri as she never imagined a husband who will leave her alone to fight with the world. Sad Kajri was trying to convince herself that if her husband will see him with any other man he will definitely react. Here Bhoja fell in love with Kajri and this gave her idea to test her husband by using Bhoja to see her husband's reaction.

Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.

When Inspector Yadav (Kulbhushan Kharbanda) shoots down a criminal couple in the line of duty, his heart goes out to their orphaned baby son Krishna. He adopts the child, who grows up with Yadav's own daughter, Gauri (Farha). As they grow up, Krishna (Sunny Deol) and Gauri fall in love - but an obstacle is looming in their path in the form of Yadav's young second wife (Sujata Mehta), who is attracted to the handsome Krishna, and in her jealousy proceeds to do all she can to destroy the young couple's chances of happiness.

CLUB 60 is about Letting Go after spending the required time in grieving for the loss of a loved one. But what is the required time-frame to grieve? And is it right to always stay in a grieving position? What about the people around you, who are also hurting because of your grieving? And does grieving endlessly really help the one who is gone away? Club 60 is also about embracing life, post 60.

Ram reluctantly becomes a brother figure to a young and helpless boy, both undocumented workers. Living in such intense precarity, mutual support might be the only way to survive.