Les pouponnières du IIIème Reich

This short film, produced at the end of WWII, warns that although Adolf Hitler is dead, his ideas live on.

Das radikal Böse is a German-Austrian documentary that attempted to explore psychological processes and individual decision latitude "normal young men" in the German Einsatzgruppen of the Security Police and SD, which in 1941 during the Second World War as part of the Holocaust two million Jewish civilians shot dead in Eastern Europe.

Daniel lives in Bernau, a small town north of Berlin.This film tells this 21-year-old’s story and describes the radical right-wing milieu in which he grew up. In his candid portrait of how right-wing radicalism breeds, Daniel explains how difficult it is to break out of a vicious circle of violence, self-hatred and a right-wing extremist frame of mind.

Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.

By early in the twentieth century, Nuremberg was regarded as the most anti-Semitic city in Europe. By 1929, Hitler had decided to make Nuremberg the "City of the Party Rallies" and a symbol representing the greatness of the German Empire. Even today, it is possible to see signs in Nuremberg of the megalomaniac proportions that the system was to assume.

A video about Neo-Nazis originating in Sweden provides the starting point of an investigation of extremists' networks in Europe, Russia, and North America. Their propaganda is a message of hatred, war, and segregation.

A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.