War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
**A summer holiday to remember forever.** 'Tearjerker' is not a genre, but it has a special status in Korean films. Normally I like this kind of themes, though in some films they are excessive which spoils the watch. Not understanding that from the cultural point of view might be one of the reasons. Anyway, this film has a strong emotional conclusion that you will know from the first scene itself. Because of briefing the relationship between the friends were intentionally done. It is also known as 'Pure Love'. From a new director with mostly fresh faces in the lead. Well, the narration has to two timelines. It opened in the present world and the remaining tale was a flashback that went back to around 25 years ago in the 90s. If you are a 90s kid, you will feel closer to it than anybody else. Especially for the setting of the tale, just like watching a straight 90s released film. It also feels like a rural version of 'Sunny', mainly because of the friendship, but not comparable in any other way. It's about the five friends and four of them returns to their island village for the school summer break. The other one is a handicapped, so she's not following dreams like her friends. That's where the problem begins. She presses hard to get normal like everybody else, so she can fly like a free bird anywhere she wants. On the side of the tale, two of her best friends has a strong feeling for her. But realsing that and whom she's going to choose comes with a twist before the film enters its final stage. > ❝Love is like marathon. You might feel behind now, but if you keep running you'll reach the goal.❞ The trends of the 90s, particularly in the rural, how kids responded was briefed so nicely. Like similar timeline films, the audio cassettes are among the popular things. But in the remaining film, everything else were shared without focusing on any particular thing. So you won't know what way it is heading. That's a good thing, but slightly goes off the track. Maybe you can call it a stretch to fill the screenplay. Still you won't feel any lagness in any part of the narration. Overall, everything looked at its places, so the film easily accomplishes its goal which is obviously a bit cliché. Yes, the end is not something you are seeing it for the first time, though it worked. I think that's how it should be. In some films while trying to avoid it, they mess it up. But still my upset with this film is the crucial twist did not make much of sense. I could have written about it in detail, but that's a big spoiler. So I indirectly mention it that the boy easily accomplishes while the experts couldn't. But overall, that part needed a little more in detail to explain how it all happened. In another way, the shortness helped the pace to keep up and also avoiding too muchness usually work and it did. So it could be easily a film for all ages. Particularly keeping in mind many things like the 90s kids who are in their adulthood now would anyway attracted to it and revolving around teenagers, brings them as well into the same coverage. Being sentimentally filled tale, the family audience won't feel they are left out. From the performances to the production, including the direction was appreciable. It is no masterpiece nor guaranteed that it would emotionally appeal everybody. Just a simple fine looking film, so watching it for once's worth. So now you know whom I'm going to suggest it. _8/10_
Summer 1890. In order to make some money to feed his family, Anton Chekhov, modest physician, wrote short stories for newspapers to sign Antosha Tchékhonté. Important characters, writer and editor, just make him aware of his talent. His situation is improving and Anton Chekhov gets the Pushkin prices and admiration of Tolstoy. But when one of his brothers died of tuberculosis, Anton saw it as a personal failure and wants to escape his fame and his love.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.
As a Hollywood actress begins to adopt the persona of her character in a film, her world becomes nightmarish and surreal.
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
In-man is a timid but caring man who creates a suicide group for his first night with his girlfriend and suggests a 'bucket list'. Strong but weak woman Ji-eun is at risk of being sold to some islands because of debt thats started with her college fees so she decides to spend a whole lot of money before she dies. Hye-ri is a bright but pained girl who gave everything to a man she loved but got nothing in return. Cho-hee is a woman who's life isn't the same after sending away everyone she ever loved. The four people alike, fulfill their 'bucket list' before they die and find hope and happiness in the process.
In a rundown area of Buenos Aires, at the dawn of the 1980s, Adrian LeDuc owns both a struggling movie theater and a shabby apartment building filled with eccentric, squabbling tenants. To make ends meet, Adrian takes in a roommate, Jack Carney, but soon begins to suspect that the quiet American is responsible for a series of political assassinations that are rocking the city.