The Return 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Bad Shepherd 2024 - Movies (Jan 17th)
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Love Courage and the Battle of Bushy Run 2024 - Movies (Jan 17th)
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Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
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Henry Danger The Movie 2025 - Movies (Jan 17th)
Sarah Beenys New Life in the Country - (Jan 18th)
Saturday Kitchen Live - (Jan 18th)
The Katie Phang Show - (Jan 18th)
Alex Witt Reports - (Jan 18th)
Ainsleys Fantastic Flavours - (Jan 18th)
James Martins Saturday Morning - (Jan 18th)
The Thundermans- Undercover - (Jan 18th)
Wizards Beyond Waverly Place - (Jan 18th)
The Kitchen - (Jan 18th)
When the Stars Gossip - (Jan 18th)
Raw - (Jan 18th)
The Kelly Clarkson Show - (Jan 18th)
NFL Icons - (Jan 18th)
Green Eyed Killers - (Jan 18th)
All 4 Adventure - (Jan 18th)
The 11th Hour with Stephanie Ruhle - (Jan 18th)
Casualty - (Jan 18th)
20/20 - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
A SCREEN ZEALOTS REVIEW www.screenzealots.com Chances are, you already know how the story of disgraced former New York congressman Anthony Weiner plays out. You may think “Weiner,” a documentary about the man’s unsuccessful New York City mayoral run, will just be a series of ‘been there, done that’ storytelling. I had the same trepidation going into the screening for this film but instead left the theater having viewed a riveting, engrossing, expertly crafted documentary. Some viewers may find this film exploitative, focusing too much on Weiner’s personal life that is, quite frankly, none of our damn business. Political junkies (like myself) will delight in this compelling behind-the-scenes peek at the inner workings of a campaign in crisis mode. Watching public relations tactics changing from offensive to defensive is absolutely fascinating, and this timely documentary also tackles the media’s rabid obsession with scandal (and reveals the true power of their public influence when it comes to electing our governing officials). “Weiner” digs deep in its look at the professional and emotional damage that a political scandal can inflict. Directed by Josh Kriegman and Elyse Steinberg, the film obviously started out as a celebratory highlight reel to feature the delight of a disgraced candidate’s comeback. Early scenes in the film are cheerful, filled with boisterous scenes of neighborhood campaigning and percolating with a general ‘yes we can‘ atmosphere. All of this suddenly comes crashing down as we watch, on film, the breakdown of a candidate’s dreams, ideals, and a huge chunk of his personal life. Weiner is married to Hillary Clinton’s long-time right hand woman, Huma Abedin. Huma is one smart, strong and tough woman, but it’s seriously sad to watch a marriage nearing collapse under the weight of a sexting scandal. Whether intentional or not, this film heavily implies spousal emotional abuse. There are many instances where the camera captures a teary-eyed Abedin with her head hung low, crossing her arms and sadly staring off into space. I have much respect for the family for allowing the camera to hang around, even during some uncomfortably tense and very embarrassing personal moments. Most viewers will know that Weiner (aka ‘Carlos Danger’) is a trainwreck when it comes to his personal life and most know the outcome of the race for mayor, but this film is still completely mesmerizing. The man’s a political survivor, driven with a sincere desire to work hard to make his city great. His policies and beliefs all make sense — so why can’t this guy keep his stuff together and quit sending naughty photos and inappropriate texts? The most compelling scene in the entire film is when he’s asked on camera if he thinks he “has a problem.” Weiner’s candid response is as weighty as it is revealing. The smart ‘show don’t tell’ angle of this film makes it a winner. While it doesn’t quite reach the heights of my personal ‘Hall of Fame’ docs like “Man On Wire,” “Grizzly Man” or “The Act of Killing,” the film is clear, concise, well edited, and a prime example of what all documentaries should aspire to be. **A SCREEN ZEALOTS REVIEW www.screenzealots.com**
It's just wild to me that the Weiners let the filmmakers create this film.
This is the planet we still know so little. We call it Earth but less than 1/3 is land, over 2/3 is water and we use that water as a dumping site for our waste and as if it's an inexhaustible "horn of plenty" for humans. Our most important ecosystem is on the verge of collapse unless we act now. At this very moment the main problem with the oceans is that they're getting emptier and emptier. If we don't do anything then we face one of the biggest disasters in history of mankind.
You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.
The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.
Adela Peeva explores the national origin of a song common amongst a set of countries, and finds that the answer is not as simple as one might think.
Woman on Fire follows Brooke Guinan, the first openly transgender firefighter in New York City. A character-driven documentary, the film follows Brooke as she sets out to challenge perceptions of what it means to be transgender in America today.
Like many Palestinian families, the Amers live surrounded by the infamous West Bank Wall where their daily lives are dominated by electrified fences, locks and a constant swarm of armed soldiers. Through director Carolina Rivas' sensitive lens, we discover the private world of all eight members of the family. As their dramas unfold, we catch a glimpse of their constant struggles and the small, endearing details that sustain them, including olive trees, two small donkeys and their many friendships. Constructed with a combination of verité scenes and re-enactments, this poignant and richly crafted film offers its audience a much needed opportunity to reflect on the effects of racial segregation, the meaning of borders and the absurdity of war
Two politically-opposed young women fight to shape their lives along with the political future of Tunisia, the sole country to emerge from the Arab Spring uprisings as a functional democracy.
Renee Tajima-Peña takes to the road to investigate questions about Asian-American identity.
In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la France par deux enfants — Godard and Miéville take a detour through the everyday lives of two children in contemporary France.
The Phantom of the Operator is a poetic film collage that documents the construction and rise of female telephone operators and their eventual replacement with computerized communications systems.