Christopher Strong

When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother's early life - an investigation that leads to an unexpected romance with a rising journalist.

After running out of money while backpacking in a tiny, male-dominated town in the Australian outback, two friends resort to a working holiday at the Royal Hotel. When the locals' behavior starts crossing the line, the girls find themselves trapped in an unnerving situation that grows rapidly out of their control.

This film to be a family drama based on the theme of parenting. The film revolves around the upbringing of a young boy by his grandparents and his working parents and also deals with the legal fight over parenting as the plot unfolds. His grandpa wins.

When Camille accidentally becomes pregnant, she encourages her friends and fellow high school classmates to follow suit. It's only a matter of time, before seventeen girls in the high school are pregnant and the town is thrown into a world of chaos.

Domingos is a member of an African liberation movement, arrested by the Portuguese secret police, after bloody events in Angola. His wife goes from a prison station to another, trying in vain to find out where he is.

'Dalla nube alla resistenza (From the Cloud to the Resistance ) (1978), based on two works by Cesare Pavese, falls into the category of History Lessons and Too Early, Too Late as well. It, too, has two parts—a twentieth-century text and a text regarding the myths of antiquity, each set in the appropriate landscape. Pavese's The Moon and the Bonfires looks back on the violent deaths of Italian anti-Fascist resistance fighters; Dialogues with Leucò is a series of dialogues between heroes and gods, connecting myth and history and returning to an ambiguous stage in the creation of distinctions, such as that between animal and human, which are fundamental to grammar and language itself. Such a juxtaposition of political engagement with profoundly contemplative issues such as myth, nature, and meaning points to the characters of Empedocles and Antigone in the Hölderlin films.' (From "Landscapes of resistance. The German Films of Danièle Huillet and Jean-Marie Straub" by Barton Byg)

Relative Evil (aka Ball in the House) - When JJ (Jonathan Tucker) returns home from rehab, he is greeted by a conniving family who are plotting to cash in on a life insurance policy before his 18th birthday

Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.

A disparate group of characters unknowingly bond by the sexual choices they make. Consumed by loneliness, a British businessman ponders a rendezvous with a prostitute. The businessman's wife prepares to call it quits with her younger lover. A Brazilian student breaks up with her boyfriend in London. A recovering alcoholic travels to Phoenix in search of his missing daughter. A paroled sex offender struggles to stay composed when propositioned in a Denver airport. A widower's religious devotion is put to a difficult test.

Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape.

A young mother is forced to face the truth of her past life as her daughter approaches adolescence and strives for new freedom.