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Real-life Western with Sam Elliott and Katharine Ross RELEASED TO TV IN 1991 and directed by Reynaldo Villalobos, "Conagher" stars Sam Elliott as taciturn noble cowboy, Conn Conagher, who contends with rustlers (Gavan O'Herlihy, et al.) while concerned about a struggling widow raising her two kids on a remote homestead (Katharine Ross). Although this was a Turner production (TNT), it doesn’t seem like a TV movie and harkened the realistic Westerns that were to come, including TV Westerns like “Monte Walsh” (2003) and TV shows like Hell on Wheels. Of course realistic Westerns which illustrated the hard, mundane life of people in the Old West weren’t anything new, as witnessed by movies like “Shane” (1953), “Will Penny” (1967), “Hombre” (1967) and “Bad Company” (1972), but there’s something about “Conagher” that especially smacks of the way it really was, which is akin to “Son of the Morning Star,” released earlier the same year. The quaint, mundane score helps in achieving this tone. While the music doesn’t trip my trigger, as it’s just too humdrum, it fits the feel of the film. For those not in the know, Elliott and Ross have been married since 1984, which probably helped with the palpable “love at first sight” element. Speaking of which, whilst this is a realistic Western about the many challenges of life in the Old West (sudden death, loneliness, hard outdoor work, the elements, Indian threats, corruption, outlaws, gunfights, etc.), there’s a romantic component with Evie Teale (Ross) attaching snippets of poetry to tumbleweeds that Conn inevitably finds (unbeknownst to Evie). THE MOVIE RUNS 1 hour 34 minutes and was shot mostly in Arizona, but also Colorado (Buckskin Joe Frontier Town & Railway). WRITERS: Louis L'Amour (novel) and Jeffrey M. Meyer (teleplay) with additional dialogue by Elliott and Ross. GRADE: B
The Northwick Kid, full-time cowboy, part-time traffic warden, travels to the wild-west of Kent in search of a new home.
Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.
Set in 1890, this is the story of a Pony Express courier who travels to Arabia to compete with his horse, Hidalgo, in a dangerous race for a massive contest prize, in an adventure that sends the pair around the world...
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
