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Holiday Touchdown A Chiefs Love Story 2024 - Movies (Dec 1st)
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The Late Late Show - (Dec 1st)
Invincible Fight Girl - (Dec 1st)
Motorway- Hell On The Highway - (Dec 1st)
The Beat with Ari Melber - (Dec 1st)
The Sunday Show with Jonathan Capehart - (Dec 1st)
Dispatches - (Dec 1st)
Cooking Buddies - (Dec 1st)
Wolf Hall - (Dec 1st)
48 Hours - (Dec 1st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
Limmeridge House of Mystery. The Woman in White is directed by Peter Godfrey and adapted to screenplay by Stephen Morehouse Avery from the novel of the same name written by Wilkie Collins. It stars Alexis Smith, Eleanor Parker, Sydney Greenstreet, Gig Young, Agnes Moorehead, John Abbott and John Emery. Music is by Max Steiner and cinematography by Carl E. Guthrie. England 1851 and artist Walter Hartright (Young) makes his way through the woods to the Limmeridge Estate where he is to teach drawing to Laura Fairlie (Parker). But he is stopped in his tracks by a woman dressed all in white, she is vague and frightened and runs off when she hears a carriage approaching. Walter will soon find out that once he gets to Limmeridge House things will get even stranger than his meeting with the mysterious woman in white… It’s the sort of Gothic period film noir that is an acquired taste, on one hand it has ambiance and suspenseful mystery in abundance, on the other it’s desperately slow and a bit too complex for its own good. Narratively there is an array of devilish strands at work, with insanity, hypnotism, murder, greed, hypochondria and hints of other unhealthy doings bubbling away in this most creepy of Estate Mansions. Visually and aurally it’s a treat, as Steiner layers the mood with haunting virtuosity and Guthrie and Godfrey imbue it all with threatening shadow play and ethereal focus shots. Greenstreet takes the acting honours with one of his shifty and sinister turns, but Moorehead is one classy lassy for sure, while Parker in a dual role shows the graceful eloquence that many directors failed to utilise in her career. Set design (George Southam) is a period delight, as is the costuming (Bernard Newman/Milo Anderson), all told it’s a hugely impressive production, one that is both bursting with funereal atmospherics and pungent with weirdness. A strange film for definite, hypnotic even, its draggy middle section makes it far from flawless, but those with a bent for Gothic noir and Lynchian like mysteries, this is most likely one for you. 7/10
Jake Kimble, the sole survivor of the Chicago massacre, is killed while in solitary confinement. His doctor begins investigating the claims he made about a long-haired woman in white, as a mysterious Japanese woman arrives at his old apartment building to help them get rid of the curse.
In the wake of an environmental collapse that has forced humanity to shed 20% of its population, a family dinner erupts into chaos when a father's plan to enlist in the government's new euthanasia program goes horribly awry.
An insurance investigator begins discovering that the impact a horror writer's books have on his fans is more than inspirational.
Late at night, a brother and his sister ride in an elevator with their father. Suddenly, the lights go off, and the lift gets stuck between two floors. In the dark and unable to get any help, the father pushes his son through the narrow space between the shaft and the hallway. Alone in the claustrophobic box, the father and daughter stay silent, until a childish whining is heard from the shadows. Someone is inside the elevator... breathing by their side.
In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.
A family imprisoned by intruders is forced to play a terrifying game of "Kill, Or Be Killed". As the night unfolds, the game's mysterious rules become clear, and the family realizes their nightmare is being streamed live to riveted viewers all over the world, who are compelled to KEEP WATCHING... not knowing if what they're seeing is real, or staged.
Biographer Margaret Lea travels to the isolated rural mansion of the famous writer Vida Winter, who asks her to write her biography. Although initially she is reluctant, as Vida is known for constantly distorting the facts of her life, Margaret soon becomes fascinated with the story of a dark childhood, a disturbing tale that leads her to finally confront the traumas of her own past.
A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both.
A recently released patient from a mental institution returns home with her sister, only to face disturbing events between her stepmother and the ghosts haunting their house – all of which are connected to a dark past in the family's history.
After 15 years in the USA, a woman in her mid-30s returns to Germany to reconcile with her father, who had broken off contact with her. Before the discussion can take place, the father is murdered. In the course of the investigation, long suppressed secrets come to light.
Kate's life is turned upside down when her younger sister, Melissa, disappears. When Kate investigates, she discovers that a large amount of drug money vanished with her sister.