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Alan Titchmarshs Gardening Club - (Mar 10th)
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Marie Antoinette - (Mar 10th)
Bargain Hunt - (Mar 10th)
When Calls the Heart - (Mar 10th)
WWE LFG - (Mar 10th)
Family Feud Canada - (Mar 10th)
Panorama - (Mar 10th)
Murdoch Mysteries - (Mar 10th)
Saint-Pierre - (Mar 10th)
First Dates - (Mar 10th)
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Australian Idol - (Mar 10th)
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Great Continental Railway Journeys - (Mar 10th)
Australian Survivor - (Mar 10th)
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Scars of Beauty - (Mar 10th)
From the 1950s to the 1980s, Catholic priests committed numerous sexual abuses on young boys in several French-speaking villages in New Brunswick. Brought to light when the victims were in their fifties, these scandals sparked shock and indignation in the media and the public. Why have affected communities chosen secrecy over justice and truth for so long? Taking advantage of their influence to impose a "pious silence" on their parishioners, several figures of authority have built a veritable structure of abuse that testifies as much to the oppressions specific to the Acadian populations as to the systemic denial of the Catholic Church. Challenged by the power of collective silence, seasoned filmmaker Renée Blanchar seeks to unravel the root causes by going out to meet the survivors.
After the Stonewall riots and at the height of the gay liberation movement in America, an entire generation were busy celebrating their newfound emancipation, unaware of an impending epidemic. A disease that seemed determined to wipe out an entire generation of gay men, was largely ignored by politicians and the mainstream media. Gaetan Dugas was a French-Canadian flight attendant, who offered to help early scientific research into the origins of AIDS. An unfortunate series of events followed and he would be vilified as Patient Zero, the man who gave us AIDS.
"Pajubá" is a language created by black LGBTs as a mode of resistance. Given this, the present short film seeks to rescue the reality of people who experience in their own skin the strength of intersectionality between race, gender and sexuality in the São Francisco Valley region.
This timely exploration of Hollywood and LGBTQ+ identity examines the life of legendary actor Rock Hudson, from his public "ladies' man" persona to his private life as a gay man.
The result of an investigation that lasted several months, this documentary film reveals the extent of a phenomenon that we thought had disappeared: the traps, sometimes deadly, that target homosexuals on dating applications or sites. Ten years after the law opening marriage to same-sex couples, and in the run-up to the World Day against LGBTphobia on May 17, it demonstrates the persistence of homophobia in France. It also questions the way the police and the justice system respond to these attacks. The voice of the film is provided by Eddy de Pretto, a singer committed against homophobia.
A group of women and non-binary journalists, bucking the white male status quo, launch The 19th*—a digital news startup that asks who has been omitted from mainstream coverage and how they can be included.
Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.
A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
A rare look inside Cuba’s LGBT community, this compelling film follows the efforts of Mariela Castro, daughter of President Raúl Castro, as she champions LGBT social reforms and acceptance of diversity.
For decades, performance artist and writer Kate Bornstein has been exploding binaries and deconstructing gender. And, her own identity. Trans-dyke. Reluctant polyamorist. Sadomasochist. Recovering Scientologist. Pioneering Gender Outlaw. Kate Bornstein Is a Queer and Pleasant Danger, joins her on her latest tour capturing rollicking public performances and painful personal revelations as it bears witness to Kate as a trailblazing artist theorist activist who inhabits a space between male and female with wit, style, and astonishing candor. By turns meditative and playful, the film invites us on a thought provoking journey through Kate's world to seek answers to some of life's biggest questions.
Bernhard, an actress-comedienne whose brassy humor attracts a cult-like following, here offers a semiconfessional view of her life's landscape. Childhood memories of her father, a doctor, and her mother, an artist, are warmly rendered in scenes of the Jewish family amiably accommodating itself to the Christmas season, and of the obligatory communal vacations joined by colorful relatives. The abrupt transition to a flamboyant denizen of "downtowns," Los Angeles or New York, to an existence as a character in the lives of marginal people, is evoked in sharply satirical terms, in a melange of humorous fact and fiction, monologues akin to those that make Bernhard an icon of pop culture.