War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
"Johnny" (Don Murray) has returned from the Korean war to pregnant wide "Celia" (Eva Marie Saint) and together with his sometimes quite wayward brother "Polo" (Anthony Franciosa) tries to make a go of things in New York. It's the arrival of the boy's father (Lloyd Nolan) that seems to set the cat amongst the pigeons as he is looking for some money he lent one of them so he can complete a property deal in Florida. Well, there's not a penny in the pot and he demands to know why. Initially you might think it's "Polo" who is the root of the problem, but quickly we are introduced to "Mother" (Henry Silva) and his drug peddling goons and discover that it's "Johnny" who has a problem that is spiralling menacingly out of control. It's a secret the brothers share, but not the only secret in the story and as we progress the intensity of conflict and old grudges only increases amongst this family grappling with the effects of despair and fear. Murray and an admittedly emotive effort from Marie Saint my claim top billing, but it was actually Nolan who played the pivotal role here. Not without demons of his own, his portrayal of this confused and betrayed paternal character adds quite a bit to the sense of embarrassment and shame felt by just about everyone. Bernard Herrmann's instantly recognisable score is over-used, I thought - all too often used to augment a tension that could maybe have been done better by a stronger Murray and a more penetrative script. That said, though, this is a grittily well delivered illustration of a man abandoned by the state after his military usefulness was over and picked up by mercenary addict-fuelling hoodlums with little human decency.
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
Struggling to survive on the margins of society, two outcasts manage to build a beautiful friendship as they face loss and hardship.
The bleak outskirts of San Francisco act as the backdrop for this view into a jaded generation. Floating through their mid-twenties, four strangers interweave on one fateful day none of them are prepared for.
An unemployed dry alcoholic and former smoker longs to escape his shadows in a small abandoned village. Triggered by a mysterious meeting with his neighbour, he must face temptation, hallucinations and nightmares as he searches for his own fulfillment (in form of a cake).
Divorcee Susan Blakely, with no alimony and two kids to support, begins turning to amphetamines. While at her lowest ebb, she meets an alcoholic and three-time loser in marriage - who, incredibly, turns out to be the ideal man!
July, South is a portrait of a story that could be lived by any one of Edinburgh's young, a gripping view into the youth culture of Edinburgh and the many difficulties faced by Scottish youth. July, South delves into the difficult topics of absent fathers, the influence of older people on teenagers and the grip that the cycle of drug addiction can have on those in the youth. The film follows 'Damien', a 16 year old Scottish boy as he falls into drug addiction and the impact it has on those around him.
Fuzzy, a young man with Down syndrome, accompanies his brother Harold for their annual visit to see their mother on her birthday. Fuzzy must watch out for Harold's criminal, addict ways or be taken once again by his love for his brother.
Fresh out of rehab, Rona returns to the Orkney Islands—a place both wild and beautiful, right off the Scottish coast. Now 29 and after more than a decade of living life on the edge in London, where she both found and lost love, Rona attempts to come to terms with her troubled past. As she reconnects with the dramatic landscape where she grew up, memories of her traumatic childhood merge with more recent challenging events that have set her on the path to recovery.
In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.
A swinging, hypocritical college student cat raises hell in a satirical vision of the 1960s.