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Of late, many filmmakers are resorting to a multi-strand narrative for a while to tell stories which fall under the thriller genre. Ennul Aayiram, too, begins with a 'somewhat' similar approach. There is the protagonist (Maha), an easy-going youngster who works as a bartender in a star hotel, a girl about to elope with her lover (Marina Michael), a woman disowned by her husband (Shruti Yugal) and a cop on a mission (Vincent Asokan). But very soon, director Krishna Kumar changes tack and goes for a conventional narrative. Maha's devil-may-care attitude lands him in a bizarre one-night stand with Shruti — something which he regrets later. But he unexpectedly finds light at the end of the tunnel in the form of Marina. He woos her for a few days, and the girl (unsurprisingly) falls for him. The two of them enjoy the best time of their lives in each other's company until Maha realises that his lover knows Shruti! We expect the story to take an interesting turn from here, but disappointingly, it falls flat — with a twist incorporated just for the sake of it, leaving us baffled on how the plot would move further. Marina's parents fix her marriage without her consent, and she alerts Maha about the same. In his unconvincing struggle to win her hand, Maha becomes a person wanted by the cops. This unexpected turn of events isn't quite convincing and is also the least interesting among the options that the filmmaker has to take his story forward. With Vincent on his trail, Maha goes underground, and latter decides to elope with his lover. He chalks out a 'risky' plan, but can he succeed? The problem with Ennul Aayiram is that it barely succeeds in keeping us hooked as the story progresses. Gopi Sunder's songs, though appearing unwanted most of the times, and his background score come as a relief as does the cinematography by Athisaya Raj. Debutant Maha, the son of veteran actor Delhi Ganesh (who has also produced the film) and Marina are apt, but the storyline is unnecessarily extended and tests our patience at times.
Five different criminals face imminent death after botching a job quite badly.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.
Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.