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I admit, it is almost impossible for me to write an informed review of this film as I have no contextual relationship with Mozart's opera/operetta **THE MAGIC FLUTE**. In fact, and may be the case with other fans of cinema, my only connection to that opera is the scenes included in the film **AMADEUS**. However, I have challenged myself to watch the entire filmography of Kenneth Branagh, so **THE MAGIC FLUTE** is not to be ignored. With that in mind, I must apologize to the massively popular opera's fans who will see my approach devoid of knowledge of any production. This film version takes place during the first world war, in a non-descript country. It follows a young soldier sent on a mission to save the Queen of the Night's daughter, Pamina. The story reveals through magic that the kidnapper may not be evil after all. I imagine this story, set to match Mozart's original story idea, may be more palatable and light. Especially the importance of miracles in a story named after a magical flute. The United Kingdom's brilliant treasure, Stephen Fry, adapted this story into one that could be relatable to England during World War I. Branagh, who directed Fry in **PETER'S FRIENDS**, helms this beautifully designed film. the production and flow of the story show why Branagh is such a fascinating director. Being unfamiliar of any specific artist recording of anything from the Opera stage, I cannot comment in good faith to the power of any specific performance. But it seems to sound good to me. But lacking Patrick Doyle, it may seem less _Branagh_. This film took years to make it to the United States in any form until it eventually appeared on DVD. Maybe it's just the obvious. Its not as important a piece stateside. I'm glad to have seen it, but will likely avoid a re-watch for a handful of years.
Princess Alise, Lucas and their royal woodland friends are going undercover on a secret spy adventure!
Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.
On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.
Cult director Richard Stanley brings Marillion's music to the screen in the 50-minute BRAVE. A teenager believed to be suicidal is discovered wandering near the Severn Bridge. Suffering from severe memory loss, she seeks information about the mysterious events that led to her condition. This work of fiction was inspired from the true story of an amnesiac woman found at the bridge.
In the year 2047, sex is forbidden and Big Brother uses robots to keep an eye on everyone. One young girl tries to outwit the government so she can be with the man she loves.
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
Witness the Zurich Opera's stunning production of Richard Wagner's masterpiece "Tannhauser," conducted by Franz Welser-Most and featuring Peter Sieffert (Tannhauser), Solveig Kringelborn (Elisabeth) and Roman Trekel (von Eschenbach). Initially produced in Dresden in 1845, "Tannhauser" instilled a sense of wonder in a few of Strauss's ardent friends and admirers, among them Robert Schumann and Franz Liszt. Opera buffs will love it.
Live performance from the Schwetzinger Festspiele, 1987. At the age of 21, Italian composer Giacchino Rossini penned the masterful comic opera “L’Italiana in Algeri” (“The Italian Girl in Algiers”) in less than a month. The composer’s youthful exuberance comes across in this infectious 1987 performance. Though she’s known mainly for her Wagner roles, acclaimed German mezzo-soprano Doris Soffel shines in the title role of Isabella. Ralf Weikert conducts, and Mauro Pagano oversees sets and costumes.
Rajesh and Meena fall in love and want to get married. But Meena's grandfather rejects Rajesh without seeing him because of a terrible encounter with Rajesh's father. Rajesh pretends to be a servant and finds employment in Meena's house to try and win her family over.