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> Back to the 80s with rock and roll and romance. I seriously thought this might be an overrated film. I knew it was too early to judge it, so I was not expecting anything extraordinary and then it struck me with its progress, I was clean bowled by its style and cuteness. I don't what others think, but this is John Carney's masterpiece according to me. I liked his other films, but this is something I think a perfect dose of contents. In two words to say it is a Golden Touch. I rarely like music and musical films, and it had been long since one I had enjoyed very much like this. Definitely this should be one of the top ten films of the years. This is an Irish-British film that is set in the Dublin, 1985. It is about a high school boy named Conor, who just got transferred from a private school to a free state-run boy's school after his parents imposed a plan on the budget cut. New school and problems are ahead where he has to come out of it on his own. During getting used to it, he meets a girl who lives nearby the school and to impress her, he lies that he has a band and looking for a female singer. So then he forms one with the amateur musicians and the journey begins for these teenagers that reveals in the remaining film how long they are willing to go. > "Your problem is that you're not happy being sad. But that's what love is, Cosmo. Happy-sad." At the end of the final scene, there is a note that says 'For brothers everywhere'. I was impressed by that, because I did not pay attention on that while watching the film. What I meant was, this is not some teenage love story, actually it was about the brothers, but overshadowed by romance theme. I recalled my memories on those parts and quickly realised the centre of the story that how it was developed. The one who played the older brother of Conor simply looked alike Seth Rogan and that is the character you have to watch out for. He's only a supporting character, but the impact was indirectly larger on the story. Of course, falling in love might make you do crazy things, even you can become a rockstar overnight. But there's a first step for everything and it is not assured that you will be succeed by those attempts. That is where comes the experienced hand, the brother, a close friend who stood by us since our birth. It is easy to fall in love, but it is not easy to have a brother who guides us in every move on that. In this film the sreenspace between them was very little, but that did not stop to disclose how one's inspiration that got from love to mold accurate shape and to lead the right path. I don't have any brother, but I felt how it would be to have one. So all the brothers in the world must see it, this is dedicated to them. > "It's like when you don't know someone, they are more interesting. They can be anything you want them to be. But when you know them, there's limits to them." I did not grow up in the 80s, but was very close to it and I know how it would feel to be born in that generation. Jeans, thick hair and curls, everybody was so thin, weird make-ups with strong eyeliner, big eyeglasses, cassettes, you would love this film if you remember those stuffs from your fading memories. A very stylish music-comedy and on the romance side, this film was very cute. All the actors were brilliant, especially the lead boy whose first film was this and the girl amazing with her totally electrifying look. They both going have a great future in filmdom. Not to miss out the supporting cast who did their part so well, especially the brother I talked about in the other paragraph. All the sound tracks were awesome. I should start adding them to my 'film songs' collection, especially 'The Riddle of the Model' which defines this title and the film's climax song 'Go Now'. So from the cast to crew, equal credits must given to the music composers and lyricists from the real 80s bands. The film had a perfect runtime, I would have had no issue if it was extended for another half an hour. The pace of the narration always kept in a same position, but towards the final quarter it has gone up. Yes, I loved the ending, it was touching, but I don't know how to describe it, only one can experience it by himself. A film I watched without any anticipation, now it is one of my favourite films. Todays generation might take it as another rock and roll inspired theme, but only the middle aged guys and some old ones would know how to enjoy it. So don't miss it out if you are one of them. 8.5/10
Take it with a grain of bias, because I too went to a Christian Brothers school and hated it, but I absolutely adored _Sing Street_. It rehashes a lot of things you will have seen before, but if you're a lover of the 80's, alternative music, coming of age stories or even just good cinema, you could do a lot worse than _Sing Street_. _Final rating:★★★★ - An all round good movie with a little something extra._
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Matko is a small time hustler, living by the Danube with his 17-year-old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a sister, Afrodita, that he desperately wants to see get married so they strike a deal: Zare is to marry her.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...
In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.
A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy - full of obsession, deceit and jealousy with dangerous and deadly consequences.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
