Bob Saget: That Ain't Right

2014 standup special originally aired on Comedy Central.

Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.

ŽIŽEK! trails the thinker as he crisscrosses the globe, racing from New York City lecture halls, through the streets of Buenos Aires, and even stopping at home in Ljubljana, Slovenia. All the while Žižek obsessively reveals the invisible workings of ideology through his unique blend of Lacanian psychoanalysis, Marxism, and critique of pop culture.

Television show host Brett and his laid-back science journalist girlfriend Tash despair that they will ever truly understand each other. On their first anniversary, under a full moon, a frustrated Tash declares her wish that they could swap lives. The next morning, Brett and Tash awaken to find Tash's wish has come true. Forced to confront the unfamiliar sensations of their "new" bodies, both must navigate strange new experiences with friends and co-workers.

The tiny village in the far north of Sweden called Ensamheten (Solitude) has sixteen inhabitants. They all share an unusual passion - armwrestling.

Comedian Cedric the Entertainer uses his considerable appeal to introduce some up-and-coming young stand-up comedians. Cedric himself takes on topics such as Bill Clinton, the death penalty, reality television, fast-food chicken, church etiquette, and much more. The other comedians are a mixed lot: Roland Powell amusingly mocks insecure boyfriends and sings a singles bar pick-up song and Juan Villareal gets some laughs out of food stamps and The Blair Witch Project, while Tony Luewellyn flounders through weak material about Ex-Lax and the war on terror. Then along comes J.J., who gives a surreal spin to roadkill and giving birth to septuplets.

Filmed with irony, the film describes brief moments in the lives of tourists, workers, and local vacationers around the construction of an artificial beach somewhere in the Caribbean.

Comedian Wim Helsen apologizes for the violence, religious extremism and lousy economy plaguing Europe, then offers a happy panacea for all of it.

A suicidal pigeon contemplates existence.

A semi-autobiographical one-man theater show, Klass Klown (later renamed Ghetto Klown), based on his memoir Pimps, Hos, Playa Hatas, and All the Rest of My Hollywood Friends: My Life.