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When the trailer of Thangamagan was released, it immediately brought to mind his " Velaiilla Pattadhari" (VIP) with its shot collage of domestic life and masala heroism. " Thangamagan" has all that but these moments feel like a watered down version of what we had seen in the previous film. The film plays on the middle-class male fantasy of young men wanting to be a caring son, a charming boyfriend, a loving husband, and a hero for the family. There is a scene where the protagonist Tamizh (Dhanush, playing the guy-next-door for the umpteenth time) and his friends are watching "7/G, Rainbow Colony" — a film that so successfully tapped into this fantasy — and the screen fills up with the words 'A film by Selvaraghavan'. It is Dhanush rightly acknowledging the influence of his brother. But the film lacks the edginess that characterizes Selvaraghavan's films and the naturalism of "VIP's" domestic scenes. The characters come across more as archetypes — hardworking father, loving mother, stunning girlfriend, demure wife, wisecracking friend and so on — and so, we care less for them. And, the sense of niceness that we see on screen feels less organic and more calculated. But the film isn't a damp squib, either. The principal cast feels right in their roles. Ravikumar and Radikaa are pitch perfect, while even Amy, who is made to sing Tamizhukkum Amudhendru Paer (of all things), manages to pass muster. The scenes in the first half have a smooth rhythm. There is lightness in these scenes and despite the familiarity of the situations, the film keeps us engaged. Tamizh's break-up with Hema ( Amy Jackson), the Anglo-Indian girl whom he loves, and his honeymoon period with Yamuna ( Samantha), the girl he eventually marries, happen in the space of few minutes but the film is convincing in portraying the fact that the protagonist has moved on. Situations that could have become full-blown melodrama of the TV serial variety are treated with a restraint that is admirable. When Tamizh's father (Ravikumar) dies, the camera gradually slips out of the room as if to not intrude on the family's grief and the film even asks the same of the audience and breaks into the intermission. However, the film lacks a potent conflict (we are instantly able to solve the mystery over missing cash that is the root cause of Tamizh's troubles) and that is why it begins to feel over-long, despite clocking in at just over two hours. And given that it exhausts the feel-good moments in the first half, the second half feels weak, with antagonists who are just not effective enough (it was the case in " VIP" and "Maari" as well) and unimaginative stunts. These scenes, intended as masala moments, feel forced and completely out of place. The emptiness in these portions is why we leave the theatre with a feeling of dissatisfaction.
A tech entrepreneur's Christmas shopping app is a smashing success, but he starts to realize his invention might be ruining the holiday spirit.
Morgan Adams and her slave, William Shaw, are on a quest to recover the three portions of a treasure map. Unfortunately, the final portion is held by her murderous uncle, Dawg. Her crew is skeptical of her leadership abilities, so she must complete her quest before they mutiny against her. This is made yet more difficult by the efforts of the British crown to end her pirate raids.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
Justin Cobb, a teenager in suburban Oregon, copes with his thumb-sucking problem, romance, and his diagnosis with ADHD and subsequent experience using Ritalin.
A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April - an inexperienced cook - runs into kitchen trouble and must ask a neighbor for help.
A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.
18-year-old school boy Helmut falls in love with fellow pupil Britta. He starts working for a Peace movement to get to know Britta. Britta, however, suddenly moves to San Francisco to live with her father and whilst there, finds a new boyfriend. Helmut studies, literature and politics in his home town and have a relationship with another girl from his former school, now studying medicine at the same university but they break up after having an affair with her roommate. Helmut begins a lot of short affairs with different women but still searches for his first girl.
In a vibrant tapestry of love and longing, nine interconnected souls navigate romance and heartbreak in L.A., where passions collide and truths unfold, revealing that the heart's desires often lead us where we least expect.
