Anacbanua

A poet's muse calls on his inner child to save their relationship.

A man named Jesus takes on the ruling military junta.

An examination of poverty and violence and the influence it has on two boys who live in a slum.

A journey into a mind of an artist with creative crisis.

Kalye Siyete is about Gio's perception and how he judges the people around him. He talks about three main people in the film. Yanna, Macky, and the LangMa group.He judges them through a dialogue that builds up who they are. The reason for his judgment is based on his past experiences with these certain people. The ending reveals how he's mistreated by these people that made him question the reason behind everything.

An experimental interpretation of Joycean epiphanies.

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

What happens after THE END? The fable of Isabela, a phantasmagorical journey of a girl searching for her true self.

This is our documentary, it is about you and me. One day after you disappeared, after you sent that break-up message, I made you this video letter. A day after the military took power. In a matter of a day, you and I lost us, and we all lost a revolution. I am not angry, I am disappointed. But how does one live disappointment? What is the physical action associated with disappointment? Anger is much easier. Sadness is much easier. Hatred is the easiest. But I don’t hate you. You are too innocent to hate. We were too innocent to win. It is life.

Hum lives in a refugee camp near Hamburg. He loves films and finances his visits to the cinema by selling lost properties from cinema visits in the refugee camp. One day he meets Anna and her friend Ida. At a dinner together in the shared flat of the two, they find out that they all share a love of music. Anna and Ida can sing great together and Hum shares the contact with his friends who play in a band. A timid and touching love story develops between Hum and Anna. Both are looking forward to the first performance of the band, in which Anna now sings. But shortly before the performance, Hum is to be deported. Neither his love for Anna and music nor his imagination can save him from the everyday life of a refugee.

In between growing frustrations toward cleaning up after an endless parade of tourists and reflections on a traumatizing memory, a voice rises from within a soft-spoken Hawaiian janitor down on the sidewalk in Waikiki. This narrative short film is inspired by a collection of poetry published posthumously featuring the work of Kānaka Maoli poet Wayne Kaumualii Westlake (1947-84).