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Mondo Topless is a 1966 pseudo documentary directed by Russ Meyer, featuring Babette Bardot and Lorna Maitland among others.
A shockumentary mixtape consisting of four videos taken off the internet. Includes a real grave robbing tutorial, an actual dark look in the inside of a mortuary, a man who delivers "just desserts" to his family and a hunting video for innocent small creatures.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.
Cult director Sergio Martino, during the most glorious mondo years, delivered Naked and Violent, a documentary which unveils the brutality of the USA. Hidden behind a mask of perfection and justice, Naked and Violent traces the problems of American society in the 70s: from racial persecutions to the depraved sexual habits of the middle class, from the drug market to illegal gambling.
Notti Calde d'Oriente (released in English-speaking countries "Orient by Night"), the 1962 Roberto Bianchi Montero Italian mondo strip tease sexploitation documentary featuring Takeucmi Keigo and His Imperial Japanese Dancers, Bommie the International Dancer of New Orleans, Chiquita and her Jamaican Strip-Tease, The Two Jolly Sisters, and Dodo D'Amburgo the Queen of the Strip-Tease. Note that this was one of the approximately 100 "sexy nocturne" mondo style documentaries that were produced between 1959 and 1970, mainly in Italy. They are documentaries that include segments of strippers, which allowed them to include nudity that had formerly only been seen in nudist movies. The strippers are shown performing their acts, and there was an attempt to film them artistically.
It is a documentary, which submits to the public the most dramatic, subhuman situations in which men find themselves living in all corners of the world. From India to Brazil, from the African nations of the Sahel to Bolivia, the camera ruthlessly shows the images of a humanity marginalized in a thousand ways by the so-called"civil consortium".
